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| Frank Sent This... by Aaron Warren |
| Roles | Minimum Male roles = 10. Minimum Female roles = 5. Minimum total with doubling = 28. Minimum total without doubling = 30. Chorus. Chorus size may vary |
| Run Time | Around 65 minutes. [Estimated!] This allows for 17 songs or music pieces included |
| Music | Mostly song suggestions with one original song and score provided with the Producer's copy. |
| Style | A one act nativity comedy, with fun centering on events in Bethlehem. |
| Synopsis | A school nativity rehearsal is causing three students to question whether the events they're portraying ever took place at all. Their teacher makes a Christmas wish, and the three find themselves back in Bethlehem, dressed as the three kings... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Frankenstein - The Monster Musical by George Douglas Lee |
| Roles | Minimum Male roles = 9. Minimum Female roles = 6. Minimum total with doubling = 17. Minimum total without doubling = 19. Chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | The Producer's Copy of the script comes with piano/vocal scores for 13 original songs. |
| Style | Gothic horror musical comedy! |
| Synopsis | If Mary Shelley had written a version of Frankenstein for children, this is how she might have approached it - as a heartwarming family musical, filled with mad scientists, misbegotten creatures and an angry mob!
On a rainy night when the power is out, a father tells his son the story of Frankenstein, and we are transported to Victor Frankenstein's Laboratory with Mary Shelly singing of the creation of the creature. We meet the creature, his bride and a croud of villagers, led by the rabble rouser Frau Gribble, whipped into a frenzy and go in search of 'the Monster'. Eventually, they come to realise that he was just misunderstood! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Frankenstein - The Pantomime by Martin Hailey |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 15. Chorus. Ten or eleven principals backed by a chorus of villagers (sometimes waving pitchforks and flaming torches). |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | Nine songs are suggested in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Monstrous British pantomime |
| Synopsis | Panto reworking of the classic 'mad scientist makes monster' story.
Mary Shelley will be turning in her grave - if she hasn't already been dug up and used for spare parts. No, on second thoughts, forget I ever said that. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Frankenstein Abridged by Richard Brinsley Peake ab. Dwayne Lawler |
| Roles | Minimum Male roles = 7. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 39 minutes. [Estimated!] |
| Music | None. |
| Style | One-act melodrama. Multiple scenes, but mainly indicative settings. |
| Synopsis | 'Presumption, or, The Fate of Frankenstein' by Richard Brinsley Peake was the first adaptation for the stage of Mary Shelley's pioneering novel. Dwayne Lawler's abridgement has reduced it from 5 acts to 1 and cut the characters from more than 15 to a total of 9.
Peake's adaptation tweaked the novel's plot (not least to reduce locations), nevertheless, the core plot of Frankenstein is here and cutting it down hasn't removed the impact or significantly dampened the themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Frankenstein's Last Chance by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy melodrama, for school-age, youth performers. |
| Synopsis | Having given up his medical practice to concentrate on his career as an inventor, Doctor Viktor Frankenstein desperately needs to raise funds to pay for his daughter's forthcoming wedding. Success at the annual Mad Scientists' Convention would be well-rewarded, but Viktor finds himself singularly short of inspiration until... No, that would be absurd - wouldn't it? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Freya's Necklace by Jonathan Edgington
Selected for and performed at the 'Time For Something New' playwriting festival 2018 at the Bread & Roses Theatre, London. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (charity shop) setting. |
| Synopsis | Just a normal day in a charity shop? Probably, until Freya the Norse Goddess of Love and War enters on a bit of a mission. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Friday Night Radio Play by Damian Trasler
Best Seller |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Characters are a range of ages, a mixture of adults and teenagers. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy (arguably a light farce), single domestic set. |
| Synopsis | It's an exciting night for the Branston family. The premier of aspiring writer Geoff's radio play is about to be broadcast and the family is gathered to listen. But just as it is about to start, the fuses blow. To ensure that Grandma is not disappointed, the show must go on... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Friend of Ronnie's by David Barry |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Edith and Arthur are relatively elderly, Susan a younger researcher. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act drama set in 1983 (twenty years after the main event). Single domestic setting. Contains mild swearing. |
| Synopsis | It's been a tense twenty years for Edith and Arthur. Now that Susan has arrived and is uncovering his shady past, will life improve for the pair of them, or simply reveal more regrets?
The play fills some gaps in the true story of the robbery, and the substitute train driver who was never caught. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Friends by David Dunn |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters are all teenagers. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short play for teenagers. No set requirements. |
| Synopsis | Bex and Sam discuss the nature of friendship, while Sam's younger brother tries to figure out how to explain away an expensive present. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fright Size - Twelve Ghost Plays by 10 x 10 Writers |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 43. No chorus. Several of the characters are dead (though this is not a requirement for casting.) One of the 12 plays has chorus roles (which could be filled by cast members from the other plays). |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | Collecton of 12 short plays for youth theatre. Generally simple to stage. |
| Synopsis | Various encounters with the supernatural, with varying results for all concerned!:-
'A Likely Story' by Heather Bryant
'Could Have Been Worse' by Gary Nicholson
'In Through The Exit' by Karen Fitzsimmons
'Just A Ghost Story' by Sarah Reilly
'Mizmaze' by Jonathan Edgington
'No Exit' by Dian Donovan
'Spooked!' by Margaret Histed
'Term Time Only' by Sarah Reilly
'That’s The Spirit' by Caroline Spencer
'The Boy Who Loved To Dance' by David Dunn
'The Ghost Letter' by Mike Plumbley
'Where Have You Been?' by Steve Menary |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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