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| Tyndale's Nativity by Paul Cockcroft |
| Roles | Minimum Male roles = 10. Minimum Female roles = 2. Minimum total with doubling = 15. Minimum total without doubling = 30. Chorus. Variable chorus size at the Producer's discretion. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama, focusing on the spoken words rather than the actions. |
| Synopsis | A sombre presentation of the Nativity story taken from Matthew and Luke, based on the translation by William Tyndale in 1534. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ugly Duckling by Ann Taylor |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play for schools with a single (playground) setting. |
| Synopsis | This anti-bullying play tells the story of a child who is bullied because he looks different. A resolution is reached when classmates step in to help. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ulysses and the Dogman by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play. Single set (figurative New York street scene, 1910). |
| Synopsis | A Westerner visits New York to look up an old friend - and finds him regretting the enforced changes of marriage and city life, such as his duty to walk the dog... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Unbitten by Caroline Spencer |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama for teenagers with a simple, or no set. |
| Synopsis | A powerful metaphorical play using vampires to act out some difficult, angst ridden problems facing most young people, particularly girls, encountering puberty. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Under the Hood by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
| Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Underground by Jon Boustead
Production by Tykes won Best Youth Production (Teignmouth Drama Festival, 2017) |
| Roles | Minimum Male roles = 3. Minimum Female roles = 11. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. All cast should be of same or similar age. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller for youth theatre, with a single - crashed Tube train carriage - setting. |
| Synopsis | A group of youth-age children on a school outing are left to fend for themselves, as they find themselves trapped in a crashed tube train and their teachers are nowhere to be found. They all have to deal with the horror in their own way and they take the plot along through intermittent narration and action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| A Universal Sorrow by Graham J Evans |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Ten on-stage roles plus two offstage voices. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Powerful, emotional one-act drama about a Welsh mining disaster in 1913. |
| Synopsis | Warning signs of an impending disaster are ignored by the mine owners and the colliers are left to deal with the consequences of over 400 of their colleagues, including a 14 year old boy, being trapped underground. The effect on the community of Senghenydd is poignantly brought to life as rescue attempts proceed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Until Death Do Us Part by Catherine Hurd |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 89 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length drama with various sets. |
| Synopsis | George and Jean have been happily married for many years and, as dementia starts its grip on George, Jean is determined that she will care for him despite their daughters' insistence that he should be placed in residential care. Jean’s determination is severely tested when an old flame, Harry Holmes, former detective and now successful novelist, comes to town for a book tour and tries to rekindle his romance with her. Matters get further complicated when an ex-con bent on revenge stalks Harry, and becomes convinced that Harry and Jean are trying to murder George. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| up & down by Rob Ricards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 2. No chorus. There is one speaking character. A second character makes two appearances to bring on props. (This might be done by a member of the stage crew.) The character is written as male, but could be played female with just a couple of name changes. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute play - essentially a monologue - set on the step ladder that is life! |
| Synopsis | A character reviews the events of his (or her) life, using a handy step ladder as a metaphor. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Urban Hymns by Keith Badham
Performance by Up-Stage Theatre Company won Best Youth Actress award in the Bedfordshire One Act Play Festival, 2011 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 65. No chorus. The nine scripts have casts ranging from two to twenty, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is six. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Nine short scripts:
Introduction (Nominally twenty roles)
Bittersweet Symphony (Seven roles)
The Drugs Don't Work (Four roles)
Sonnet (Four roles)
Juliet (Two roles)
Romeo (Two roles)
There Is A Light That Never Goes Out (Five roles)
24 Minutes From Tulse Hill (Six roles)
Lucky (Nominally 15 roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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