Lazy Bee Scripts
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All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
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Scripts 1081 to 1090 of 2536
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Goldilocks And The Three Bears [Version 3] by Warren McWilliams
New
RolesMinimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 15. Minimum total without doubling = 37. Chorus. The authors notes suggest that performance with a cast of 15 is possible, but would require losing some of the circus performers from act 2, with redistribution of their lines. Otherwise the minimum would be 21.
Run TimeAround 100 minutes. [Estimated!] The run-time assumes the use of the 14 suggested songs.
MusicThe Producer's Copy of the script includes suggestions for 14 songs. Lazy Bee Scripts does not supply any sheet music with this script.
StyleFull-length pantomime straying a long way from the original folk tale with plenty of unusual characters and pantomime silliness. It's a fast-moving panto with plenty of good jokes.
SynopsisGoldilocks, with her brother Billy and their mother Dame Gertie Gemmell, ventures into the woods to recruit a new act for their circus. They find one that's just right - three dancing bears. But the twisted debt collector Mr De Ville is set on closing down all circuses.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
ExtrasThe following additional items are available (at extra cost) to go with this script:
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
Click here to read the script or Click here for more details.

Goldilocks, Three Bears and the Detectives by Juliet Devon
RolesMinimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus.
Run TimeAround 70 minutes. [Estimated!]
MusicNone.
StyleFamily show, structurally in two acts, but run-time on the boundary between one-act and full-length. (Could be expanded with songs at the discretion of the production.)
SynopsisThe Bears' cottage has been ransacked - porridge eaten, furniture wrecked, and someone looking a lot like Goldilocks fled the scene when the Bears came home. But is she really guilty? The detectives investigate.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

The Golf War Widows by Damian Trasler
RolesMinimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus.
Run TimeAround 30 minutes. [Estimated!]
MusicNone.
StyleSingle set (a bar), modern realism, analysis of character, behaviour and relationships
SynopsisThree women meet behind the scenes at a corporate Golf Tournament. Theresa is a wife who has built her own business in response to her husband's obsession with work and her own fading looks. Dotty has brought up a family despite the disinterest of her husband and Rachel... became a crime-fighter.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Golfer by Graham Jones
RolesMinimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus.
Run TimeAround 7 minutes. [Estimated!]
MusicNone.
StyleA farcical comedy sketch set in the lounge of a golf club.
SynopsisTwo established members are horrified by the antics of new member Reg, who seems to have little knowledge of the game or it's protocols.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Gone by Jonathan Edgington
A winning entry in both Live Theatre's and Maskers Theatre Company's playwriting competitions in 2010. Didcot Phoenix Drama's filmed version won the Best Play and 2 other awards at the 2021 Spelthorne and Runnymede Virtual Drama Festival.
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus.
Run TimeAround 16 minutes. [Estimated!]
MusicNone.
StyleFifteen-minute play with an air of mystery! Single set which requires a garden seat and a half-finished pergola. Originally published 2010, revised 2018.
SynopsisGeorge's wife is missing. He knows where she went, but not where she is. Dare he tell the truth to anyone?
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Good Advice by Olivia Arieti
RolesMinimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus.
Run TimeAround 7 minutes. [Estimated!]
MusicNone.
StyleA short drama with a single (coffee shop) setting.
SynopsisEncouraged by her worldly friend Alice, ageing spinster Norma starts to think about her love life, or the lack of it, when former sweetheart Bill comes into the café.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Good Enough by Karen Ankers
RolesMinimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus.
Run TimeAround 19 minutes. [Estimated!]
MusicNone.
StyleA hard-hitting one act drama
SynopsisSingle mother Janine struggles desperately with severe lack of confidence brought about by the derogatory voices of her parents, ex-husband and son which she relives in her head. These voices are played out on stage.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Good For Something by George Freek
RolesMinimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Both in their seventies
Run TimeAround 20 minutes. [Estimated!]
MusicNone.
StyleA short, one act play, set in a center for the retired.
SynopsisLizzie and Max meet regularly for a game of checkers during which they come closer together and are able to confide in and advise each other.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Good For The Soul by Roger Lee
RolesMinimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus.
Run TimeAround 10 minutes. [Estimated!]
MusicNone.
StyleA ten minute comedy sketch
SynopsisSteph wants to make a confession, but it's been a while since her last one, and she’s not too good at getting to the point. Her confessor has some trouble staying focussed, right up to the point where Steph finally admits what she's done.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Good King Richard by Ian Dixon Potter
RolesMinimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus.
Run TimeAround 108 minutes. [Estimated!]
MusicNone.
StyleA full-length historical drama. (A lot of locations, but simple to stage, give or take the butt of malmsey.)
SynopsisAfter the death of Edward IV, his brother Richard becomes Lord Protector and then King. Richard III is determined to be a good king, but his principles - out of place in the royal court - enable challengers including Henry Tudor to plot his downfall. A counterpoint to Shakespeare's Richard III (which was based on the testimony of Richard's greatest enemy), Good King Richard sets the historical record straight.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Scripts 1081 to 1090 of 2536
100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119  105 106 107 108 109 110 111 112 113 114 

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