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Stop the Clocks by Keith Badham
Performance by Up-Stage Theatre Company won Most Theatrical Moment and the Audience Appreciation Award at the Bedfordshire One Act Play Festival, 2011. Royal Manor Theatre won the adjudicators award at the Dorset Drama League Festival, 2013 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 88. No chorus. The fifteen scripts have casts ranging from two to sixteen, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is seven. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Fifteen short scripts:
Introduction (Nominally sixteen roles)
Death Of Innocence (Seven roles)
Back to school (Eight roles)
The Interview (Five roles)
Twins (Three roles)
And Lo (Seven roles)
Monster Mum (Two roles)
The Quest For Happiness (Six roles)
Punch and Judy (Three roles)
Knife Crime Horror (Two roles)
The Priory (Two roles)
We Three (Part One) (Six roles)
The Teachers Are Afraid... (Two roles)
We Three (Part Two) (Six roles)
Death (Thirteen roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Substitute by Duncan Battman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in the form of a monologue. Dramatic content, though the direct action is minimal. Contains strong language and adult themes. |
| Synopsis | A long but dramatic monologue delivered by Frank, an ex-footballer who is now confined to a wheelchair. As he packs up his room he relates the ups and downs of his life, right up to the startling conclusion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Summer In The Park by Louise Wade |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three short plays, each set on the same park bench. |
| Synopsis | Three short plays connected by the location: a bench in a park overlooking a lake, and a recurring theme: the unreliability of first impressions. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Swan Queen by Frank Canino |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 3. No chorus. There is one speaking voice, Lenore. She addresses the audience as a friend, but also addresses two other people (1M, 1F) who might appear on stage. There is also an option for a group of male dancers. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | Two pieces (associated with classical ballet) are suggested as accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Powerful, brilliantly-written one act play. Single set with simple furniture representing multiple locations. |
| Synopsis | A former Prima Ballerina navigates the final months of her life, balancing her health concerns with those of her stepson, an artist with AIDS. Despite some stark differences at first, the pair find common ground and become allies as they each cope with their diagnoses. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sweet Dreams by Peter Appleton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act twisted psychological drama, verging on the melodramatic. |
| Synopsis | Plagued by nightmares after a mysterious accident, Anne has trouble telling reality from her dreams. Is her fiancé alive or dead? Is her father helping her, or holding her prisoner? Can she even trust her oldest friend? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Switched by Frances A. Lewis
Performance by Carbost Village Drama won the MacKinnon Salver and the Wakefield Quaich Award for stage presentation, Scottish One-Act Festival, 2014. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. There are two off-stage voices which might be live or recorded. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act farce, with a single set split between a dentist's waiting room and a living room. |
| Synopsis | Jeffrey gets himself into a tangle when his girlfriend Veronica and wife Claudia end up with identical handbags...
Note that a companion piece - AKA Charlie - is also available. The two plays function independently, but can also be played together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tabbed by Bob Tucker |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy, set in the middle of a (disastrous) pantomime performance. |
| Synopsis | It's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Take-Away by Pat Edwards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two older teens and two middle-aged characters. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play of shorter length, split set - in two flats with a lift, set between them. |
| Synopsis | Gail and Josh share a flat, but their relationship has soured - Josh is harsh and demanding, and Gail is quiet and compliant. The Barnstables live in the flat across from them, an older couple with a happy marriage. But no one seems happy with the way things are between Josh and Gail - not even Josh. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Taking Minutes, Wasting Hours! by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. All characters are adults. A range of ages! |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Single set, simple props. |
| Synopsis | It's committee night and the Chairman has been asked to introduce a surprise speaker. Little does he know what a surprise she'll be! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Tale of a Nail by Nicholas Richards
Performance by Central High School finished as runner-up in the Maine Principals Association drama competition 2014 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 25. Minimum total without doubling = 25. Chorus. Whilst Mr Gauche, for example, is given a gender, it isn't really key to the plot! Many of the characters, are, when all's said and done, anthropomorphic personifications of cells and micro-organisms. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One act play set in the imagination of a character fighting off an infection, where the protagonists - germs and blood cells - act-out their roles. Fantasy, but with a lot of educational value. |
| Synopsis | When Mr Gauche accidentally hammers a nail through his thumb, he only wants medical help from the Doctor, but he gets a thorough lesson in the body's defence mechanisms anyway. A musical version is available here. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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