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When Darkness Falls by Sam Simkin On the evidence of this script, the author won the award for Most Promising Young Playwright, Trinity College London's International Playwriting Competition, 2013-14 |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 18. Minimum total without doubling = 32. Chorus. Intended for performance by a Youth Theatre company or by a mix of adults and teenagers. |
Run Time | Around 42 minutes. [Estimated!] |
Music | None. |
Style | One-act drama, very much from the perspective of the central character. |
Synopsis | Teenager Alex lives with his dysfunctional family in a state of teenage confusion and angst. His witnessing of a murder has a profound effect on his already troubled mind leading to his leaving home. His encounter with homeless people is inspirational and leads him down the right path. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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When Rob Met Artie by Richard Crawley |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | An enjoyable comedy which offers good roles to a well-balanced cast. |
Synopsis | April has lived with her AI partner Rob for five years, and the time has come to replace him with a newer model, Artie. But Artie's ability to replicate male behaviour causes more problems than expected, while Rob finds happiness in his new home with April’s employee Lisa. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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When We Were Young by Allan Williams |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 26 minutes. [Estimated!] |
Music | None. |
Style | One-act drama (with minimum staging requirements) set in World War One. |
Synopsis | Six monologues from three different characters, set during the First World War. Two soldiers who were childhood friends, recound their wartime experiences, as does a nurse who meets one of the men when he becomes one of the many casualties of the Great War |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Where There's Blame by John Chambers |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play, minimal set requirements, simple props, three strong characters and an involving story. Contains strong language and adult themes. |
Synopsis | Lennie is fronting an accident claim company to raise money for his property speculating in Spain, Tina's waiting for Kevin to bring her some money for the week's shopping, but he's got caught up with Lennie's pie in the sky. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Where's George by Gary Diamond & Ray Lawrence |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Character ages range from thirties to eighties. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play. Single set (living room). Contemporary realism. |
Synopsis | It's Sunday afternoon. Arthur and Vera face the weekly ordeal of tea with Vera's mother, the fearsome Rose, and her carer-son, Edward. Rose is awaiting the arrival of her favourite son, George, but Edward has other surprises in store. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
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Where's Nigel by Jim Pinnock |
Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. Some non-speaking roles essential to the play. |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | A one act farce. |
Synopsis | A group of friends meet for a party at Nigel and Stephanie's house. Events take an unusual turn as the services of a doctor and the police are needed as identities become confused and people are not who they seem. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** Poster template, illustrated by Dale French, for 'Where's Nigel?' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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White Lies by Richard James Production by Alternate Shadows won 1st Place, Best Actress, Best Set at 2016 Duncan Rand One Act Play Festival |
Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. If necessary, the Waitress could be cast as a waiter. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy. Single simple set (so easy to do as a competition piece). Simple props. Contains mild swearing. |
Synopsis | Four old University chums meet up again after thirty years for a meal and talk. Bea is concerned only with herself and her own success, and doesn't care about the casual way she has hurt or used the others in the past, and the other ladies decide it's time for payback. But their little revenge stunt goes a little further than they planned. |
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Awards | Click here to see the awards won by (productions of) this script. |
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Who Was That by Charlie Cook |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | One-act farce. A fast moving one-act comedy full of mistaken and doubly mistaken identities. Contains mild swearing. |
Synopsis | We are fully aware of who Tom, Sylvia, Richard and Harriet are - or is it Harry? - but they are not. We relish their confusion as the merriment gathers speed and they struggle to come to terms with who's who and who is having an affair with whom. The appearance of the unintelligible Michael adds to the misunderstanding but eventually leads to realisation... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Who's Hamlet by George Freek |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | A one-act farce in two acts. (I mean it's in two acts but is relatively short.) A farce, with misunderstandings galore and all the theatrical temperament you could wish for. All this comes with a simple set and small cast. |
Synopsis | A young actor takes the role of Hamlet from his ageing father. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Whole New World by Rebecca Grabill |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. All the characters are named by sounds - and their names are vocalised as sounds rather than words! |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Short single-set one-act comedy play (set in a radio studio in the far distant future). |
Synopsis | A radio show from the far, far future discusses the possible uses for a peculiar relic dug up on the long uninhabited planet earth. Some of the suggestions shock and disgust the listeners, but in the end it's lack of proper authority that brings the broadcast to a premature end. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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