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The Ghost Of Sandy O'Grady by Richard Hills |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 53 minutes. [Estimated!] |
Music | None. |
Style | A ghostly one act drama with a single setting. |
Synopsis | Ten years on from the disappearance of Sandy O'Grady, Toby is convinced that his ghost will return to his cottage each year on the anniversary of his death. Toby locks all windows and doors and remains indoors every 19 January, although this year the arrival of a stranded young married couple throw Toby’s routine into disarray. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Ghosts of Marvin Grange by Richard Coleman |
Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 20. No chorus. Principal characters nominally adults but could be played by teenagers or a mixed group of teenagers and adults. |
Run Time | Around 65 minutes. [Estimated!] (Dependent on how much the actors ham up the death scene!) |
Music | None. |
Style | Melodrama - with the playwright's tongue firmly in his cheek. (Two acts - but relatively short.) |
Synopsis | Christopher Sinclair receives a strange summons and returns to Marvin Grange, a remote estate on a lonely moor to unravel the mystery of a haunting that is driving his cousin's wife mad... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
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The Girls Are Back in Town by Jonathan Edgington |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 12. No chorus. |
Run Time | Around 53 minutes. [Estimated!] |
Music | One public domain song is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one-act drama set in both the present day and WW1. Seven different settings, though all can be portrayed with minimal furniture. |
Synopsis | Four iconic suffragettes are mysteriously transported to modern-day London to finish what they started. 100 years earlier, as Alan learns the horrors of life on the Western Front, his girlfriend Beatrice carries out important work for the suffragettes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Girls of Autumn by Paul Barile |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 53 minutes. [Estimated!] |
Music | None. |
Style | A comedy, structurally in two acts but of one-act length, on a split (park bench/jewellery store) set. US English. |
Synopsis | The legendary Summer Set - an all-woman jewel-thief circle from the 1970s - has retired to a quiet life. In their early sixties, they seem content, until the elusive Autumn Diamond makes it way to their little patch of the earth. Enter a mysterious visitor and an old friend-turned-nemesis, and the race is on to steal the diamond and go out in style. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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God's Minstrel by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Going, Going, Gone by John Peel |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 55 minutes. [Estimated!] |
Music | None. |
Style | With very well observed and realistic characters this one act comedy takes a wry look at family relationships. |
Synopsis | Long suffering Vera has reached the limit of her patience and has decided to leave her marriage of 40 years to Fred. Her preparations are interrupted by sister Doreen's announcement that after a multitude of marriages, she has realised that she is gay and brings round fiancée Jo to meet Fred and Vera. Doreen and Jo are closely followed by Honey, Fred and Vera's daughter, who brings more bewilderment for them with her announcement that her six-week marriage is over! The resultant hilarious chaos proves too much for Fred who is spurred on to assert himself with drastic and unexpected action. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Goldilocks, Three Bears and the Detectives by Juliet Devon |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | Family show, structurally in two acts, but run-time on the boundary between one-act and full-length. (Could be expanded with songs at the discretion of the production.) |
Synopsis | The Bears' cottage has been ransacked - porridge eaten, furniture wrecked, and someone looking a lot like Goldilocks fled the scene when the Bears came home. But is she really guilty? The detectives investigate. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Greatest Form of Flattery by Amelia Armande |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Growing Up With Martin by Paul Richards |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play (three sets) |
Synopsis | Martin is twenty four, living in a rented flat with his girlfriend, and working at the bottom of the corporate ladder in an accounting firm run by his Mum and Dad. He's frustrated by his lowly position, but equally annoyed by the idea that he should have to exert himself to get on in life. In the course of one day we see him downtrodden, turn a corner and find a new goal, just to have one of the dearest things snatched from him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Handstands For You by Adam Exton |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The characters are children, but could be played by children or adults. There are three characters, but two of them appear in some scenes as younger versions of themselves. (Either played by the same actors or by younger ones.) |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | A touching and deftly-handled approach to the subject of childhood illness. Multiple settings, but does not need explicit sets. Contains mild swearing (which could be moderated if deemed in appropriate for a specific production). |
Synopsis | When Billy was five, his best friend was Gemma, but she moved away. Now Billy's thirteen, he's got a new best friend in Ronald, but he also has leukaemia. Gemma moves back to the neighbourhood and the three have to find space for each other. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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