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| Two For The Price Of One by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single (kitchen-dining room) setting. |
| Synopsis | Sarah is beginning to worry that her lorry-driver husband has a fancy woman in Coventry. Their daughter thinks 'augmentation' will help her keep a boyfriend, and Sarah wonders if it'll help her too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Gentlemen of Verona by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 16. No chorus. Flexible numbers of soldiers and outlaws |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A humorous retelling of Shakespeare's story as a modern-language one-act play. |
| Synopsis | When Proteus follows his best friend Valentine to fashionable Milan, he finds himself attracted to the Duke of Milan's daughter, Silvia, upon whom Valentine has already set his sights. Hatching a plot to remove Valentine from the scene and move in on Silvia, he does not realise that he is being followed by Julia, the girl he left behind in Verona and to whom he has sworn everlasting devotion. Will the faithless scoundrel succeed with Silvia or will his efforts founder? A no-brainer, really. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Grunts For Yes by Jessica McHugh |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | The producer's copy contains one suggested piece of background music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A short one act comedy, with some strong language. |
| Synopsis | Some college students return home with a few extra pounds, tattoos, or disappointing grades, but when 18 year old Irene McManus returns to her conservative southern household with her new boyfriend Tommy, things get messy between her and her mother, Delia. She doesn't disapprove of Tommy because he's ill-mannered or bad with words. The fact that he's dead, however, whips the prim matriarch into a frenzy. Can Irene convince her mother to accept her zombie boyfriend? Or will Delia convince her daughter that zombie boys are only after one thing: her brains? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Weddings and a Conference by Karen Doling |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Eleven speaking roles and an unspeakable photographer. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play. Single (hotel reception) set. Structurally in two acts, but in length it's on the boundary between a one-act and a two-act (it could occupy a whole evening's theatre or be accompanied by a shorter piece.) Contains mild swearing. |
| Synopsis | A double-booked wedding reception at a hotel causes havoc for the brides, grooms, manager, receptionist, and the attendees of a conference that is supposed to be happening at the same time! However, it soon transpires that the double-booking is not the only coincidence they will have to deal with. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Under the Hood by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
| Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Underground by Jon Boustead
Production by Tykes won Best Youth Production (Teignmouth Drama Festival, 2017) |
| Roles | Minimum Male roles = 3. Minimum Female roles = 11. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. All cast should be of same or similar age. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller for youth theatre, with a single - crashed Tube train carriage - setting. |
| Synopsis | A group of youth-age children on a school outing are left to fend for themselves, as they find themselves trapped in a crashed tube train and their teachers are nowhere to be found. They all have to deal with the horror in their own way and they take the plot along through intermittent narration and action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| An Unexpected Duty by Robin Wilson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play which could be used as a full length play. |
| Synopsis | Charlie's rushing off to Home Guard duty, but takes time to warn his wife about their daughter's scandalous dress sense and his worries about her new man. Little does he know that before the night is out he'll be facing down an armed spy! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Universal Sorrow by Graham J Evans |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Ten on-stage roles plus two offstage voices. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Powerful, emotional one-act drama about a Welsh mining disaster in 1913. |
| Synopsis | Warning signs of an impending disaster are ignored by the mine owners and the colliers are left to deal with the consequences of over 400 of their colleagues, including a 14 year old boy, being trapped underground. The effect on the community of Senghenydd is poignantly brought to life as rescue attempts proceed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Unrelated Women by Daniel M. Wolpe |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | The production notes contain suggestions for six classical pieces of music that feature in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A two act drama (though could be performed in one). Set in the US, though the play explores universal themes. |
| Synopsis | At her husband’s funeral, hard-bitten widow Fiona meets Laura, her husband’s young pregnant mistress, having been previously unaware of her existence. Their relationship, at first bitter, evolves into a profound and loving affiliation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Up the Garden Path by Barry Blaize |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act farce. Single set - quite complex to stage but the rewards are worth it! Contains mild swearing and drug abuse. |
| Synopsis | When Susan agreed to be on the end of the phone for Marie during a quiz, she thought she'd be a help. But she didn't give the right answer, and now Marie's husband wants Susan and Trevor to cough up the sixty thousand she didn't win... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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