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| Watch Your Back by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Barlow is a male voice on a telephone speaker and might be doubled (or, possibly, recorded). |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy. Single 1970s office set. |
| Synopsis | This takes us back to a typical typing pool in 1972, where lecherous Head of the Accounts Department, Mr.Crawley, known as Creepy Crawley to the girls in the office, rules the roost. Supervisor Marjorie is frustrated in her attempts to shelter her girls, Gill and Sally, from his sexist antics until newcomer Helen presents her with a delicious opportunity to make sure that Mr. Crawley gets his just desserts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Watt's Cooking by Raymond Blakesley |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama for children to perform, with simple sets. |
| Synopsis | Recalcitrant child Edna's nature is transformed - when she is sent away to live with mean old pie maker Mrs Watts, who grants Edna's wish to have her name changed to Goldilox. She is successful in persuading the Bear family to enjoy fruit and vegetables rather than meat, but the sting in the tail hints of a grisly end for Mrs Watts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Way Off Course by Barry Lambert |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Dr Dorris Boffin talks a strange, clipped form of English. This is deliberate. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy/drama. Single set - a police operations room with a single entrance (which need not be a practical door). |
| Synopsis | Inspector Whalley and colleagues investigate the iniquities of a team-building course - and win the gratitude of the boss into the bargain.
'Way Off Course' is available with two other episodes in Inspector Whalley's Casebook - Volume 2. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Way To A Man's Heart by David Weir |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy for two actors. Some strong language. |
| Synopsis | Following a frosty breakup, Ellie and Andrew meet to divide their possessions. Among them - a winning lottery ticket. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Love Barney by Joseph A. Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act farce. Single domestic set. |
| Synopsis | Barney is to decide who is to become the Assistant Branch Manager, and competition is fierce. Will newly-separated Barney give in to the wiles of Sharon, or will he be persuaded by Phyllis's experience and dedication? And what of Nigel, who doesn't want the job, but is marrying a woman who wants him to have it? It's going to be a busy night at the company drinks party. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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We're All Dead by Jonathan Edgington
Selected for and performed (by Precipice Productions) at Stockwell Playhouse's 2019 One Act Playwriting Festival in London where it received a 'Highly Commended' award. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Two of the male characters should look alike. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act ghostly drama with multiple settings (arranged by the actors). With adult themes and strong language.
First published in 2013, revised edition published 2019. |
| Synopsis | With time shifting between the present day and 1973, Russ and Rachel experience life changing events brought about by Russ's encounter with his younger self. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Wedding Day by John F. Glen
Performance by Thurso Players won two trophies and came second overall in the SCDA Caithness Adult Festival of One Act Plays, Feb 2008 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Range of ages - three adult generations of one family. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple set (two pieces of furniture - so easy to stage as a competition piece). Contains mild swearing. |
| Synopsis | Annie, elderly matriarch of a family, looks back on a long life on the day her granddaughter gets married. She recalls the wedding of her daughter and her own wedding day, as well as some sadder memories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Weir of Hermiston by David McVey from Robert Louis Stevenson |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. Chorus. Characters are adults, plus one boy with a playing age of around 10, as the young Archie Weir. The chorus (non-speaking townspeople, servants, etc.) is optional. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, focusing on the relationship between Archie Weir and his tyrannical father. Adapted from an unfinished novel by Robert Louis Stevenson. Uses broad Scots (though omitting the less fathomable language from Stevenson's draft.) |
| Synopsis | Archie Weir is the son of the Lord Justice Clerk and in training to be a lawyer himself, though he is fearful of his hard father. Following advice from a family friend, Archie watches a trial held by his father and is horrified at the old man's apparent glee at hanging the poor wretch. He speaks out in public against the death penalty and is exiled to the family's country estate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Welcome Home by Roger Lee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama, with a single setting and some strong language. |
| Synopsis | Jimmy is finally out of prison, having served twenty years for murdering his wife's lover. He returns to his old house to face his son, where he expects and receives a hostile reception. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Welcome to Paradise Road by Brian Coyle
Best Script in Festival - Page to Stage Theatre Festival, Liverpool (2016) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | A satirical thriller with a set alternating between an office and a living room. |
| Synopsis | In a society where nothing is private and no one knows who to trust, a woman’s partner has disappeared. She is visiting her neighbour, head of the local Neighbourhood Watch, to find out if she’s heard anything about his disappearance. Will her neighbour help her or is this the person she should be most afraid of? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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