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| Robin Hood and the King's Bling by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 20. No chorus. There is no formal chorus, but it would be possible to add villagers and sheriff's guards. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play for kids. Structurally in two acts, but of one-act length. Simple (minimal) sets (give or take the tree), and simple props (give or take the tree stumps). |
| Synopsis | Robin Hood's mission statement - Steal from the Rich, Give to the Poor - is wearing thin with the local villagers who haven't seen much of him doing either. The arrival in the area of King John, complete with a box of royal jewels and an underhand plan for them, presents Robin and his outlaw band with a chance to redeem themselves. Unfortunately for Robin, his arch-enemy, the brutal Sheriff of Nottingham, stands in his way. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Romantic Legend of Don Quixote - A Knight to Remember by Geoff Bamber |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Don Quixote's servant is normally male (Sancho Panza), but here is written female (Sancha Panza), though could be played by either. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-Act comedy (verbal and physical). Single set. Written for a company of adults, but could be played by teenagers. |
| Synopsis | When the penniless nobleman Don Quixote arrives in the town of Guadalcar he falls in love with the beautiful daughter of Don Alvaro and Donna Madeleina, the town's rulers. Unfortunately Don Quixote doesn't fit their idea of a suitable match for their daughter and Don Quixote has to complete seven tasks to prove himself. Fortunately he has help from Sancha, his servant, Romana, a fortune teller, and Gonzalo, an artist with questionable honesty, who make up for Quixote's distinct lack of bravery and imagination! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Romantic Novelist by Graham Jones |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play for three ladies. Single set (written as a domestic interior, but could be hinted-at, rather than fully realised). Simple props. |
| Synopsis | Louella Packenham is struggling to finish her latest bodice-ripper with the help of her faithful assistant Miss Trent. But Louella's errant husband is clearly on her mind too, then her housekeeper Miss Fortune asks for help with her equally wayward brother. Can the straitlaced Miss Trent bring him back to the fold? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Romeo and Juliet [75-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 23. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A 75-minute abridgement of Shakespeare's tragedy.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | Two households in Verona are sworn foes
A pair of star-crossed lovers take their life.
Whose misadventured piteous overthrows,
do with their death bury their parents' strife. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Romeo and Juliet Date Other People by Jon Jory |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy starting from Shakespeare and straying a good way. Simple to stage. Written in American English. |
| Synopsis | Romeo's wooing of Juliet fails when both run out of poetry, so they agree to take a break and see other people. Romeo's dates with Lady Macbeth, Cleopatra, and the Wicked Witch of the West don't go well, nor do Juliet's with Paris, Iago and Oberon. Maybe the star-cross'd lovers are the only ones right for each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ronnie Tumbler Gets Her Goat by Rajapillai Pillai |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | There is a set of lyrics built in which can either be put to the tune of 'Oh Susanna' or recited as a poem, with optional guitar accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy show performed by adults for children with various suggested settings. |
| Synopsis | The tale of a wild west feud between Bullets McGraw and Otis Mills, with some educational gems thrown in. As the reasons for the feud start to become clear, Ronnie Tumbler and Rocky the talking goat do their best to bring the two sides together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Room Eight-Zero-Seven by Geoff Bamber |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Characters are nominally American, but could easily emigrate. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy. Single set (hotel room). |
| Synopsis | When Maddy checks into a hotel after an awful day travelling, she just wants to rest, so she is not at all pleased when Lennox walks in. However, that is nothing to her reaction at the appearance of his guest... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Room for Another by Gill Medway |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A well-written 65-minute ensemble drama on a single set, with stories developing naturally for all the characters. Suited to groups with a range of playing ages, with good roles for all. |
| Synopsis | It's November 1940 and Hitler's bombs are raining down on London. Elsie and her daughter Carrie have their favourite night-time spot on a platform in the Underground - and on two successive nights they welcome a motley group of strangers to join them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Room With A Clue by Matthew Lynch |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set (clinical reception area). Contains mild swearing. |
| Synopsis | This waiting room is a busy place. Eddie has arrived with a damaged arm and is impatient to get the receptionist to get him processed. But then there are the other arrivals, with a range of experiences... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Room by Graham Jones |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. The characters cover a range of ages from twenties to seventies. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, single set - character study with a rather sinister edge! |
| Synopsis | Four women of varying ages and infirmities enter a room, supposedly in a rest home/hospice called 'Pleasantways'. They're told to enter the room but not to leave. The women open up to each other about the circumstances that brought them to this place and their feelings about the treatment they have received. Exploration of their current position leads to a sinister discovery... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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