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| Rhyme for Reason by Madeline A. Stringer |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (living room) setting. Some strong language. |
| Synopsis | Carrie is coping with caring not only for her gently demented mother but also for two teenage children and a useless husband. Her daily grind is brought to life and all ends in harmony as everyone starts to pull together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Rhyming Diary Of Mrs Pepys by Carolyn Kain |
| Roles | Minimum Male roles = 2. Minimum Female roles = 7. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 52 minutes. [Estimated!] Original production ran to 70 minutes with suggested music. |
| Music | The producer's copy of the script contains suggestions for seven intermission pieces. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A rhyming historical comedy (lots of period detail and lots of laughs). Structurally in two acts, but possible to stage as a one-act in the sense of half an evening's entertainment. |
| Synopsis | Mrs Pepys takes her husband’s famous diary and reveals the legacy of King Charles II's womanising. The rivalries of his numerous mistresses are depicted with historical accuracy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Rhyming Macbeth by Jeremy Tyburn |
| Roles | Minimum Male roles = 12. Minimum Female roles = 1. Minimum total with doubling = 26. Minimum total without doubling = 40. No chorus. There are 22 Non-speaking roles, but Narrators 1 and 2 could be further divided at the Producer's discretion. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A rhyming, modern language version, one act length - written originally as a Readers' Theatre piece. |
| Synopsis | A shortened adaptation of Macbeth in rhyming form, which could be performed with a very simple set, or no set. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Rhyming Treasure Island by Richard Coleman |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 14. Minimum total without doubling = 14. Chorus. More major female roles than the original tale. (It should be noted that female pirates were not unknown!) There is a chorus of three pirates which could be expanded to as many pirates are aboard your ship. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Rhyming comedy (with some of the characteristics of a British panto). |
| Synopsis | Robert Louis Stevenson's classic tale of buried treasure adapted for the stage as a verse play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Right on Cue by Barry Lambert |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Roles are written as 2 male, 2 female, but all could be played as either. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (police office) setting. |
| Synopsis | The Battersea Batterer is causing havoc for the understaffed local CID as he goes around the neighbourhood hitting people over the head with a billiard cue. The police are snookered at first but are assisted by a psychological profiler in solving the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Rings Around The World by Keith Badham
Premiere production won Best Youth Production and Best Youth Male awards at the Bedfordshire One Act Play Festival 2013.
(50% of author's royalties are donated to 'Ambitious about Autism'.) |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 23. No chorus. Sign Language is also used in this play. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Suggested music is by The Super Furry Animals and Gruff Rhys. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act drama with music, dance and multiple simple settings suggested by the cast. |
| Synopsis | Young Mark is autistic and we are swept into his world in this moving and satirical picture of his short life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Rising Blue by Jason Jawando |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play in a single setting. |
| Synopsis | Margaret Thatcher joins Brian Clough in the waiting room for heaven, with predictable yet productive abrasiveness from both. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Robin Hood and the King's Bling by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 20. No chorus. There is no formal chorus, but it would be possible to add villagers and sheriff's guards. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play for kids. Structurally in two acts, but of one-act length. Simple (minimal) sets (give or take the tree), and simple props (give or take the tree stumps). |
| Synopsis | Robin Hood's mission statement - Steal from the Rich, Give to the Poor - is wearing thin with the local villagers who haven't seen much of him doing either. The arrival in the area of King John, complete with a box of royal jewels and an underhand plan for them, presents Robin and his outlaw band with a chance to redeem themselves. Unfortunately for Robin, his arch-enemy, the brutal Sheriff of Nottingham, stands in his way. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Romantic Legend of Don Quixote - A Knight to Remember by Geoff Bamber |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Don Quixote's servant is normally male (Sancho Panza), but here is written female (Sancha Panza), though could be played by either. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-Act comedy (verbal and physical). Single set. Written for a company of adults, but could be played by teenagers. |
| Synopsis | When the penniless nobleman Don Quixote arrives in the town of Guadalcar he falls in love with the beautiful daughter of Don Alvaro and Donna Madeleina, the town's rulers. Unfortunately Don Quixote doesn't fit their idea of a suitable match for their daughter and Don Quixote has to complete seven tasks to prove himself. Fortunately he has help from Sancha, his servant, Romana, a fortune teller, and Gonzalo, an artist with questionable honesty, who make up for Quixote's distinct lack of bravery and imagination! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Romantic Novelist by Graham Jones |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play for three ladies. Single set (written as a domestic interior, but could be hinted-at, rather than fully realised). Simple props. |
| Synopsis | Louella Packenham is struggling to finish her latest bodice-ripper with the help of her faithful assistant Miss Trent. But Louella's errant husband is clearly on her mind too, then her housekeeper Miss Fortune asks for help with her equally wayward brother. Can the straitlaced Miss Trent bring him back to the fold? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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