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| Sharing by Bob Tucker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, single interior set. Furniture includes a collapsing chair (great fun for the set designer!) |
| Synopsis | Chris the suave estate agent thinks he's on to a good thing when wet and weedy Jake brings the gorgeous Holly in to buy a house. They're clearly not suited, and he makes his move to split them up. Jake is paired off with Chris's soon-to-be ex-wife and leaves, but then Holly has some surprising revelations for Chris. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sherlock Holmes' Last Case by Charlie Cook |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One act comedy play (single set). |
| Synopsis | The fabulous Kalimari diamond has been stolen from a locked bag in a locked safe, and when Watson hands over the ransom, the receiver is murdered horribly! A brilliant Holmes pastiche with appropriate gags and a surprise ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shift Change by Terry McFadden |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in which the three characters engage in witty and insightful conversation to tell us their stories with comedy and pathos. Single (American) bar setting. Contains mild swearing. |
| Synopsis | What do you get when you mix one-part disenchanted tomboy waitress who just dumped her loser boyfriend, one-part overly pontificating know-it-all seasoned bartender, and one-part recently jilted blue-collar droop who just isn't doing well with the ladies? You get the situation at shift-change at Shannahann's Pub. A light-hearted take on bar culture and protocol, where Gregg, fresh from a breakup, receives hilarious coaching on the art of picking up women from the garrulous barkeep, Pete. While he's more bemused than bolstered, his intended departure is halted when he encounters the pub's beautiful, hard-nosed waitress Vicki, who, after some coy, heated banter, provides him with a simpler solution to his romantic problem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shooting 'The War Game' by Michael Pearcy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Newscaster is an offstage voice. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a single (bomb damaged house) setting. Originally released 2015, revised 2018. |
| Synopsis | The play is set in 1964, at the height of the Cold War, during the filming of TV drama 'The War Game'. It begins with five actors involved in filming a dramatic rescue scene in a bombed building, and develops into a tense anti-war drama. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Shop by Allan Williams |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, taking place within a shop. |
| Synopsis | It's just another ordinary day in the Charity Shop for Elsie and Margaret, with new customers and old friends. But they discover that one visit in particular was very special and will never be forgotten. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Signalman by Matthew Harper
Production by Progressive Players won the Northern Semi-Final of the All England Theatre Festival - 2021 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. One character is an offstage voice, which could be pre-recorded. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | None. |
| Style | A Victorian gothic drama in one act with a single (signal box) setting. |
| Synopsis | The thrilling Charles Dickens story is brought to life in this stage adaptation, as tension inexorably builds towards the signalman's fate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Silas Marner by George Eliot adapted by Gerald P. Murphy |
| Roles | Minimum Male roles = 10. Minimum Female roles = 8. Minimum total with doubling = 18. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act historical drama, adapted from George Eliot's novel of the same name. A serious play, with a moral |
| Synopsis | Silas Marner has been cast out by his home community and has moved to Raveloe. He continues his weaving business, but becomes a recluse and a miser. His life is changed by two events - the theft of his fortune and the arrival on his doorstep of a foundling whom he names Eppie. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Silver Linings by Bob Hammond |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 23 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama with a single (clifftop bench) setting. |
| Synopsis | A young man has had an argument with his girlfriend and has spent the night on a bench. The old tramp who usually uses the bench, in a fatherly fashion, draws out the difficulties the young man has had throughout his life and identifies a silver lining for himself. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Single Moment by Tony Domaille
Runner up UK Community Drama Festivals Federation Geoffrey Whitworth competition for Best Original Script, 2015 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single (Betting Shop) setting. Part I of the author's 'Changes' trilogy. |
| Synopsis | Danny's gambling has finally brought him to rock bottom. He has lost everything and now finds himself in the bookmaker’s shop learning lessons from a bag lady and a bookmaker. Whilst salvation is offered from surprising sources, it is a single moment that saves him when his most unlikely bet is won because on 5th June 2009 snow fell across parts of the UK. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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Singled Out by Geoff Rose-Michael
Nominated for New Writing Award and Set Design Award, and winner of Best Actress Award (Jo) at Leatherhead Drama Festival 2014 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. There are two principal characters, one non-speaking (and largely immobile) character and an opening voice-over (which could be recorded, omitted or consigned to programme notes!) |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller with a single (meeting room) setting. |
| Synopsis | When SODA, the Singles Online Dating Agency, arranges a social night for some of its members, the first two girls to arrive soon discover they have both previously suffered a similar disturbing experience, and that they have been lured there by person or persons unknown, and then locked in. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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