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| On Offer by Frank Gibbons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two couples. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch. Single set (indicative of a living room). |
| Synopsis | A couple come to view a house, but what they find is something rather different... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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On the Way to Mars by Damian Trasler
Best Seller |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Science fiction sketch, single simple set. |
| Synopsis | On the first manned mission to Mars, the boredom and monotony of the long space flight is taking its toll. How long before the crew finally crack? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| On Unofficial Business by Craig Sandeman |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | An inspirational one act play mixing comedy with delicately handled pathos within the imaginative setting of a prison van! Contains swearing (and a lot of other things). |
| Synopsis | Prisoners Tam, Lenny and Bruce are being transferred to another jail when their van is hijacked by Christine who is struggling with her own desperate situation. As they hide in a forest clearing the unlikely quartet slowly become a unit, offering heart-warming and amusing support one for the other as they sit around the camp fire and gradually bare their souls. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Once a Jolly Farmer by Frances Bartram |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. Lots of great opportunities for character acting. Marion has a pit-bull attitude and biting lines to match. Tricia is naive with lots of opportunity for comic overacting. Sharon is the sexy vixen, Dad the confused old buffer, and so on. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, single (farm shop) set. |
| Synopsis | Tricia's first day of work experience at the Farm Shop is a real experience, as Charles' mistress shows up unexpectedly and Tricia is recruited into the plot to keep her apart from Marion, Charles' wife. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Breakdown Too Many by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A sketch, with a single simple set. |
| Synopsis | Hannah, and her tipsy friend Mary, have broken down on their journey home. Unfortunately for the man on the other end of the phone line, Mary is determined to help her friend make the call to the breakdown service. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A One Hearse Town by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Short rhyming monologue. |
| Synopsis | An Irish village is bereft of a spiritual centre since the Priest departed with a lady named Bridget. Luckily, the Pub now stands in the church's stead, offering solace, groceries, community and, of course, whiskey. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Hell of an Interview by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Sketch, single simple set (office) |
| Synopsis | A recruitment drive for a commercial television channel receives interest from an unlikely and unwelcome source. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Solitary Line by Neil Walden
Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (dressing room) setting. |
| Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Our Last Respects by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Whilst the two characters are women, they might be played as women by men in non-glamorous drag. (British people with long memories are invited to contemplate Les Dawson in this context.) |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch, set in a graveyard.
From the Laughter Lines collection. |
| Synopsis | Two women with what ammounts to not quite a graveside eulogy for their deceased friend. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Out For The Count by Jim Hollingsworth |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy-farce, with a single (living room) setting. |
| Synopsis | Walter and Mabel are celebrating their ruby wedding. Unbeknown to the other, both arrange a surprise party. The twists and turns are exacerbated by the arrival of two amateur hypnotists who wreak further chaos. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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