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| The Labor Train by Kal B Sisson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama, set on a subway train. |
| Synopsis | Pregnant Sam sits alone on a subway train in the late evening. She is joined by the suspicious-looking homeless Jeff. This unlikely pairing come together as Sam's labour pains commence and Jeff shows his true character. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ladies by Scott Kingsnorth |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama |
| Synopsis | Elizabeth goes looking for Shelly, since the wedding they are both attending is winding down. Finding her in the Ladies', Elizabeth has trouble getting her friend out of the cubicle, only to find they're both locked in for the night. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ladies at the Seaside by Hilary Mackelden |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act drama on a simple set. Plenty of scope for the two actors to explore the emotional range. |
| Synopsis | Maureen and Dot meet on a trip to the Eastbourne seafront. Dot is being bullied and robbed by her daughter and son-in-law, and Maureen helps her build up the confidence to take back control of her life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Lady or the Tiger by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 15. Chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play adapted from Frank Stockton's short story. Simple props. |
| Synopsis | The Princess's lover is on trial for his life. She can save him from certain death, but would the alternative be worse? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Land Army by TLC Creative |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. There is no formal requirement for a chorus, but additional Land Girls could be added at the discretion of the production. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch from the 'Skitskrieg' Second-World-War revue show by TLC Creative. (This sketch written by Steve Clark, David Lovesy and Rick Adams.) |
| Synopsis | During a routine inspection of a squad of Land Army girls, the visiting officer has some suspicions that all is not what it seems... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
| Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Last Duchess by Iris Winston
Won first prize in the Ottawa Little Theatre National Playwriting Competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short stage adaptation of Robert Browning's poem, My Last Duchess. |
| Synopsis | The spirit of a murdered wife steps from her portrait to try and warn the next fiancée of the fate that awaits her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Earl Grey by Susie Casson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act black comedy, told in vignettes and flashbacks.. |
| Synopsis | There's been an accident. A fatal accident. And now Dorothy wants her daughter, Lucy, to kill Mrs Butterworth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Respects by Colin Calvert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act play in funereal black - so obviously a comedy! Single set (a funeral parlour), replete with coffin. |
| Synopsis | Henry Throgmorton (deceased) has decreed that a wake should be held in his honour at the funeral parlour. The guests, previously unknown to each other, are his wife and his two mistresses... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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