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| Fone Home by Nicholas Conti |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. All characters are adults, some of whom are deceased (and therefore ageless!) |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play, single set (split between two apartments) |
| Synopsis | Though your family are dead and gone, they now live in the twilight zone... Nick and Jen's marriage is threatened by his addiction to work and her attraction to her boss. When Nick accidentally dials his old home number, he is astonished to hear his mother (dead for twenty years) answer the phone. She, Nick's Dad and Nick's Uncle Louie are all on the line from Heaven with advice to help Nick through the hard times. But will it be enough to save the marriage? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Food Rationing Auction by TLC Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. Chorus. As written, there is a non-speaking (though possibly giggling and nudging) chorus of ladies (who, in the absence of sufficient ladies, might be played by men in drag). |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch from the 'Skitskrieg' Second-World-War revue show by TLC Creative. (This sketch written by David Lovesy and Brian Two.) |
| Synopsis | War time rationing leads to an unusual auction! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Football Manager by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Because the writer is English, the manager is the manager of a football (soccer!) team - but it could just as well be another team game. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | An allegorical sketch about Advent! (Minimal staging requirements) |
| Synopsis | A football manager has a novel approach to the game. A play with an Advent theme. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For Both of Us by Peter Vincent |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two characters are an ageing mother and her (adult) daughter. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Short play. Minimal set, minimal props. |
| Synopsis | Lisa tries to deal with her mother's increasing symptoms of Alzheimer's disease. A story of love, loss and compassion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For My Final Act by Cheryl Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act character comedy. Single set (simple interior). Two out-of-the-ordinary props in the form of ventriloquist's dolls. Contains mild swearing. |
| Synopsis | The Accolades is a retirement home for stars of stage and screen, but just because they're in a retirement home, doesn't mean they're out of the spotlight. Rene and Judy are competing for the headline in their joint Edinburgh festival show, but they don’t know all the details yet. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For the Good of the Family by George Douglas Lee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Domestic interior settings. |
| Synopsis | A family reunion becomes a fraught affair as Jack and Virginia's son can't resist bringing up the subject of the effect his profoundly disabled sister had on his childhood. The discord leads to an astonishing revelation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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For The Greater Good by Aviva Philipp-Muller
Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play. |
| Synopsis | Charles and Jonah share their memories of a single day, a day they experienced in very different ways, though at the end they connected. A powerful piece about the Holocaust. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For the Love of April by Evonne Fields-Gould |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a compound set (backyard/living room/2 kitchens). US English. |
| Synopsis | Carol’s dog April has been the mainstay of her life since her husband was killed in Afghanistan. Her close friend Beth tries to help Carol back to normal life but creepy neighbour Charles intimidates her to such an extent that Carol is forced into the unthinkable. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For The Love Of Art by Robert Scott |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch. |
| Synopsis | Two critics deliver a scintillating analysis of a minimalist piece they have discovered hanging on a wall. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For Your Tomorrow by Peter Ayre |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
| Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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