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| Twixt Heaven and Hell by Jack Burgess |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute sketch. (Part of the Acting Funny collection of sketches.) |
| Synopsis | The gatekeepers above and below argue about the disposition of new arrivals. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Barmen by Damian Trasler & David Lovesy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The barmen are written male (as you might expect). The third characters is a duck. There are also two disembodied voices. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch, set in a bar (which can be a minimal set or as elaborate as you can justify for a four-minute piece). |
| Synopsis | You know the one where two men walk into a bar? Well, turns out it was this bar, where every baroom joke you've ever heard took place, along with quite a few you haven't heard.
A duck walks into a bar and says 'Have you got any bread?'... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Grunts For Yes by Jessica McHugh |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | The producer's copy contains one suggested piece of background music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A short one act comedy, with some strong language. |
| Synopsis | Some college students return home with a few extra pounds, tattoos, or disappointing grades, but when 18 year old Irene McManus returns to her conservative southern household with her new boyfriend Tommy, things get messy between her and her mother, Delia. She doesn't disapprove of Tommy because he's ill-mannered or bad with words. The fact that he's dead, however, whips the prim matriarch into a frenzy. Can Irene convince her mother to accept her zombie boyfriend? Or will Delia convince her daughter that zombie boys are only after one thing: her brains? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| UFO Hotline by John Passadino |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Two on-stage characters and three offstage voices, two of which might be recorded (Ellen would be better live). |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch with two possible endings. |
| Synopsis | Ron and Grace's second date is going well until a flying saucer lands nearby and the occupant begins to approach them. Attempts to call for help see them redirected to the UFO Hotline, which is not as useful as they'd hoped. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Up, Up and Away by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
| Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Wait... What? by Ted Evans |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing |
| Synopsis | An Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Have To Talk by Don Lowry |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. If the three scenes were to be played separately, the three couples could be played by the same pair of actors with changes of costume and style. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short play comprising three short sketches on one theme. Written to be played continuously, but the three could be spaced out through an evening of short pieces. No set, so could be played front-of-curtain. |
| Synopsis | Three relationships have reached the point where the couples need to talk. It's curtains for two pairs, but the third might just make it... even if it's for the strangest of reasons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What A Performance! by Trevor Suthers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play set in a theatre (stage and dressing room). Some adult language. |
| Synopsis | A small group of actors are in a small provincial theatre as their performance ends - the action follows them to the (shared) dressing room. Petty jealousies give way to their assessments of what acting and theatre are all about. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What's The Time, Virginia Woolf? by Doc Watson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. One of the M characters is recorded voice only. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act black comedy on a single living room set. |
| Synopsis | George and Martha tell each other about their interesting days - both have been visited by Alice, with varying accusations of infidelity. The truth will eventually out in this convoluted black comedy - with one of them dead! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| When Rob Met Artie by Richard Crawley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | An enjoyable comedy which offers good roles to a well-balanced cast. |
| Synopsis | April has lived with her AI partner Rob for five years, and the time has come to replace him with a newer model, Artie. But Artie's ability to replicate male behaviour causes more problems than expected, while Rob finds happiness in his new home with April’s employee Lisa. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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