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| Jim Jam by Robert Scott |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy on a simple set. |
| Synopsis | Jim, his wife Mary, and one of their sons, are all stuck in a traffic jam. Jim’s frustrated, his wife is trying to stay serene, and their son is desperate for the loo. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Just Stop It by Katharine Earley and Hugh Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch that crosses modern satire with an edge of surrealism. Easily staged (the art gallery can be an empty stage) with a good balance of roles. |
| Synopsis | A man with a grievance against self-service tills arrives at an art exhibition armed with a tin of tomato soup. Does anyone have a tin opener? Can his daughter stop him damaging a valuable abstract painting? And, in any case, what’s it supposed to be? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Keeping it Clean [Three-hander] by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an offstage female voice. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy-drama with a minimal set. |
| Synopsis | Cleaner Violet has a new client, Miss Gresham, who is clearly not as innocent or as prim and proper as she appears, but the lascivious goings on next door are not what they seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ketchup by Herb Hasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch |
| Synopsis | Mom and Dad are preparing to have the talk with their children. But first , there's the small matter of convincing them to eat their vegetables. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Kitchen Skirmishes by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One act comedy of circumstance. Stage split between domestic set and bar. |
| Synopsis | When Lucy and Bernard have their first child, they decide that Bernard will stay home and be the househusband while Lucy continues working. Bernard thinks it will be a walk in the park... he has a surprise in store... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Knock, Knock, Who's There? by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Offstage voices of one female laughing and multiple children, could be pre-recorded. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a living room setting. Originally published 2015, revised 2019. |
| Synopsis | Yvonne is desperate for the council to arrange a transfer for her and husband Dennis, from their high rise flat in Barbara Castle Towers to a lovely maisonette with gnomes in the garden... Her case may be enhanced when a TV crew arrive to investigate poltergeist activity in the flat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
| Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lions Versus Elephants by Graham Dillistone |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. 4 onstage characters (2M, 2F), plus 5 (2M, 3F) who are voice only and may be pre-recorded. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy, presented as three acts, on a single (living room) set. |
| Synopsis | Bernard follows the book 'Man is a lion, woman is an elephant', but his dinner guests Gerald, Ann and Peggy will test his beliefs. Gerald and Ann’s marriage falls apart, Peggy preys on both men, and Bernard misses the simple life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Little Momma’s Ristorante by Paul L. Harwood |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single set. An enjoyably weird story which builds up entertainingly to a satisfying ending. (US English.) |
| Synopsis | Leo has finally plucked up the courage to ask Kay to marry him, but first he must introduce her to - and get the approval of - his Momma. The problem is, Momma is a pile of ashes in a wine bottle, and when the bottle is unable to communicate approval, Kay must come up with a plan to convince Leo it’s okay. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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