|
Going Underground by Christopher Morgan
Awarded the George Taylor Memorial Award as winner of the 2005 One Act Playwriting Competition of the National Drama Festivals Association |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set - the interior of an underground train. Simple props. |
| Synopsis | Seven travellers on the underground with a series of overlapping stories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Going, Going, Gone by John Peel |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | With very well observed and realistic characters this one act comedy takes a wry look at family relationships. |
| Synopsis | Long suffering Vera has reached the limit of her patience and has decided to leave her marriage of 40 years to Fred. Her preparations are interrupted by sister Doreen's announcement that after a multitude of marriages, she has realised that she is gay and brings round fiancée Jo to meet Fred and Vera. Doreen and Jo are closely followed by Honey, Fred and Vera's daughter, who brings more bewilderment for them with her announcement that her six-week marriage is over! The resultant hilarious chaos proves too much for Fred who is spurred on to assert himself with drastic and unexpected action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Golden Galah by Richard Ward |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Narrator or Chairperson may be M or F. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy melodrama, which could be incorporated into a Music Hall, with a single - wooden shack - set. |
| Synopsis | As the Hardcastles struggle to make a living on their infertile land in 1930s Australia, daughter Chastity reveals she is not chaste, she is expecting! Her young man, Clarence, is unaware of this and, having failed to convince her father of his worth, sets off to seek gold. Chastity's stepmother, plots a marriage between Chastity and the wealthy Roland. Will Clarence find gold and return in the nick of time? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Goldilocks, Three Bears and the Detectives by Juliet Devon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Family show, structurally in two acts, but run-time on the boundary between one-act and full-length. (Could be expanded with songs at the discretion of the production.) |
| Synopsis | The Bears' cottage has been ransacked - porridge eaten, furniture wrecked, and someone looking a lot like Goldilocks fled the scene when the Bears came home. But is she really guilty? The detectives investigate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Golf War Widows by Damian Trasler |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Single set (a bar), modern realism, analysis of character, behaviour and relationships |
| Synopsis | Three women meet behind the scenes at a corporate Golf Tournament. Theresa is a wife who has built her own business in response to her husband's obsession with work and her own fading looks. Dotty has brought up a family despite the disinterest of her husband and Rachel... became a crime-fighter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Goose Joose by Russell Gillman |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. Characters include Geraldine the Goose, who is described as a puppet controlled by other characters but could also be someone in a goose costume. It's styled as a British pantomime, so the usual panto juxtapositions apply. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Mini panto - some panto conventions, but crammed into a very short production. Minimal set. |
| Synopsis | Daffodil farm is in trouble - unless the animals eat their food and the goose starts laying again, nothing will sell at the market! Dame Daffodil sends her daughter to find a man to help them out, but she's kidnapped by Wizard Fafafafafafa! Can heroic Peter Thigh save her and the farm? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
|
| Click here to read the script or Click here for more details. |
|
|
Grave Matters by Peter Stallard
Production by Carbost Village Drama Group garnered two trophies (Best Stage Presentation and Best Actor) at the Skye One Act Drama Festival, 2013 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The Grave Warden is written male, but could easily be played female. The two female parts could, conceivably, be doubled, but the effect of Mrs. Roberts' final entrance would probably be better with more time for make-up! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A ghost story told as a humorous one-act play. Single graveyard set, simple props. |
| Synopsis | A magistrate and a Police Sergeant stole a valuable chalice and hid the theft under the cover of arson committed by a local troublemaker. Now their souls are bound to the churchyard until they can restore the chalice. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Grecian Cat by Erica Glenn |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A snappy short play about four twenty-somethings. One set (the kitchens of two adjoining apartments). |
| Synopsis | Amber's Grecian cat figurine guards the front of her apartment and she believes it guards her fortune too, so when her new neighbour crushes it with his car, she wants revenge. The two adversaries and their roommates learn a lot about each other and themselves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Growing Up With Martin by Paul Richards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play (three sets) |
| Synopsis | Martin is twenty four, living in a rented flat with his girlfriend, and working at the bottom of the corporate ladder in an accounting firm run by his Mum and Dad. He's frustrated by his lowly position, but equally annoyed by the idea that he should have to exert himself to get on in life. In the course of one day we see him downtrodden, turn a corner and find a new goal, just to have one of the dearest things snatched from him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Guests by Carolyn Drury |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy drama with a single (living room) setting. |
| Synopsis | Feeling the financial pinch after a generous Christmas, pensioner and former child movie star Mary opens her house to some visiting actors. Two are pleasant enough characters, but Louise is more of a handful. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|