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| Oncology by Stephen Scheurer-Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. Chorus. The chorus is a wating-room full of patients. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy drama fuelled by family (and medical) tensions. |
| Synopsis | Set in a clinic where Edna and her daughter wait for the results of a recent test, surrounded by a madcap collection of patients and relatives who have an underlying serious story to tell. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Breakdown Too Many by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A sketch, with a single simple set. |
| Synopsis | Hannah, and her tipsy friend Mary, have broken down on their journey home. Unfortunately for the man on the other end of the phone line, Mary is determined to help her friend make the call to the breakdown service. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Foot Under by Jordan Handford |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Reverend Goodwinks is presumed male but could be female. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy with a single living-room set. |
| Synopsis | Michael's already tense relationship with his in-laws is put under further strain at a funeral with a surprising finale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A One Hearse Town by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Short rhyming monologue. |
| Synopsis | An Irish village is bereft of a spiritual centre since the Priest departed with a lady named Bridget. Luckily, the Pub now stands in the church's stead, offering solace, groceries, community and, of course, whiskey. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Hell of an Interview by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Sketch, single simple set (office) |
| Synopsis | A recruitment drive for a commercial television channel receives interest from an unlikely and unwelcome source. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Hundred and Eighty! by Jonathan Edgington
Runner up in The Maskers Theatre's 2011 Humble Hamlet play writing competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute comedy, playing on Shakespearean themes. Contains swearing and adult themes (and a darts player). |
| Synopsis | Toby Hamlet is coming home, but his mother doesn't know why. She does know he's broken a promise he made to his dying father by becoming a pro darts player instead of a lawyer. What could he possibly want to speak to his mother about that he can't mention on the phone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Solitary Line by Neil Walden
Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (dressing room) setting. |
| Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Thing After Another by Steve Beeton |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 82 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy with an 80s setting. |
| Synopsis | When Bert and Eric dig up an old box on the allotment, they hope it contains treasure that will change their lives forever. Changes ARE coming, but the whole family is in for a bunch of surprises. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Onion Rings: The Tale Of A Very Bad Date by Susan Gayle Haws |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. An additional 8 to 12 band/crowd characters can be played by actors on stage or as pre-recorded voices. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with various settings. |
| Synopsis | Shirley has returned to her hometown after 40 years for a school reunion. She has been in Facebook contact with Bill, also from her school, and has accepted his invitation to dinner. Things do not go according to plan, Bill’s addiction to onion rings being the least of Shirley’s problems. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Open Window by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A blackly comic stage adaptation of one of Saki's subversive stories. Two locations, but neither need be elaborate (so could be done in a 'black box' with small items of furniture). Aimed at secondary schools, but could be done by adults. |
| Synopsis | Framton has been sent to the country as a rest cure for his nerves. However, his encounter with his doctor's cousin, Gertrude, and her neices is anything but calming. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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