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I Googled You by Jonathan Edgington
Selected for and performed at the 2017 Salisbury Fringe 'Short Cuts' playwriting festival. Shortlisted for the 2018 Actor Awareness Intergenerational Night. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy play for two actors. Can be performed on a minimal set. |
| Synopsis | Felix and Truly meet for the first time on a blind date. Felix is at first taken aback by Truly’s antics in her garden but the date goes ahead. Afterwards, the pair give a surprising final assessment. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Pledge Thee by Tony Domaille |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch. Minimal set requirements, so could be performed front-of-curtain.
(Also available as part of the Love and Marriage collection of short comedies by Tony Domaille) |
| Synopsis | Jeff wants to renew his wedding vows with Rose, but when they meet with the Vicar to make arrangements, things don’t go as Jeff imagined. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Quite Fancy A Go At Lacrosse by Janice Sampson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy monologue with adult language and themes. |
| Synopsis | Whatever Melanie does she just can't find a man. Her past outlandish schemes, including a rugby club, have failed to assist her in her quest. When Matthew starts work in the same office he seems to be the answer to her dreams and she decides that the best way to impress him is to agree to his suggestion of a charity parachute jump. Expecting to land in his arms she is disappointed to find he has brought along his drop dead gorgeous girlfriend! She decides that this is the final straw and vows to give up her hunt but another prospect comes along in the form of Martin from packaging, who's another one with an interesting hobby... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Identity Theft by Hugh Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch in a living room setting. |
| Synopsis | A man arrives home to tell his wife that he's been the victim of identity theft. Moments later, a second man enters to tell the same story. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Impatience and Improbability by Nic Dawson |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (hotel terrace) setting. A witty and clever intertwining of the mannered world of the eighteenth century and modern day mores - with a bit of farce thrown in. |
| Synopsis | This diversion in One Act, dedicated with respectful admiration to Miss Jane Austen - with humble apologies for any liberties taken - sees Julia providing eighteenth century elegance and ambience in her unique hotel. The idyllic, mannered world descends into infidelity and recrimination as the modern day intrudes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Importance Of Being Earnest [45 minute abridgement] by Oscar Wilde abridged by Gerald P Murphy
New |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. The two narrators are written female but could be played male (especially if their names were changed to something more masculine than Agnes and Doris). |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy, abridged (and slightly adapted) from the play by Oscar Wilde. A couple of narrators are used to set scenes so that the piece can be played with minimal (furniture only) sets. |
| Synopsis | Bachelors, Jack Worthing and Algernon Moncrieff, use convenient fictions when they wish to escape the more tedious aspects of society life. They both fall in love and become engaged, but their deceptions lead to much confusion. And Lady Bracknell has a lot to say about it all. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In the Mood by Frank Gibbons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (café) setting. |
| Synopsis | Jeanie's little café is struggling to survive and a pending family problem could easily prove to be the last straw. Also, her apparent reluctance to tackle issues such as poor hygiene, inferior cooking, power supply malfunctions and a mischievous deaf cat isn't helping the situation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In Transition by Simon Darlington |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy with a single (triathlon transition area) setting. |
| Synopsis | Divorced Brian, an experienced triathlete, and spinster May, a first-timer, meet at the start point of the race. Both have widely different reasons for participating and neither had any thoughts of romance before the event, but their thoughts are soon dispelled as their relationship develops. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In Vino Veritas by Charles Alverson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single setting, on the verandah of a large house in America. |
| Synopsis | As a group of female friends wave off the bride and groom to their honeymoon the champagne flows and loosens their tongues, as each confide secrets about themselves and their relationships with some surprising results. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Inn Spectre Calls by Barry Lambert |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 43 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy drama with a single (hotel lounge) setting. |
| Synopsis | Geoff and Laura have invited both sets of parents for a meal at a local hostelry to celebrate their engagement, but each one of the party in turn encounters a mysterious woman, whose disturbing revelations provoke a variety of reactions. She bears an uncanny resemblance to Laura's stepfather's first wife, but she died unexpectedly two years ago, so it can't be her! Or can it? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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