|
The Regency Matchmaking Match by Damian Trasler & David Lovesy |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 11 minutes. [Estimated!] |
Music | None. |
Style | A fun mash-up of two recognisable settings makes for a good sketch that would fit well into variety nights. |
Synopsis | It's the final ball of the season and the last chance for the Regency gentry to find their perfect partner. The commentary follows the events of their attempted matchmaking in the style of a football (soccer) match. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Relationship Counsellor by Hugh Smith |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 6 minutes. [Estimated!] |
Music | None. |
Style | A comedy sketch in a simple domestic setting. |
Synopsis | A man arrives home to be told by his wife that she's leaving him for George Clooney. The sort of thing that could happen to anybody. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Relationships in Progress by Carl Zeitler |
Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 17. No chorus. |
Run Time | Around 64 minutes. [Estimated!] |
Music | None. |
Style | A collection of six short plays linked by a theme, intended to be performed together, with various simple settings. US English. |
Synopsis | Relationships in Progress is made up of six short plays portraying various people in relationships we all can relate to: first dates, co-workers, spouses, siblings, and friendship. Whether fun and light, serious and deep, or some combination of those, the characters deal with their relationships with one another as well as the world around them. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Responsible People, Good Work Ethic by Gerald P. Murphy |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 4 minutes. [Estimated!] |
Music | None. |
Style | A short comedy sketch. |
Synopsis | A blind date finds two people who are very well matched - but only to each other! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Retail Therapy by Cherol Filbee |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 22 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy with a single (shop) setting. |
Synopsis | A wife employs retail therapy to take sweet revenge on her serial cheating husband and his gold-digging mistress. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Reunion by Geoff Bamber |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 125 minutes. [Estimated!] |
Music | None. |
Style | A full length comedy/farce in a single drawing room set. (Inevitably, this includes French windows.) |
Synopsis | In its heyday the now decayed Marton Vale Village Hall was the hub of the community and, as headquarters of the Marton Vale Youth Association, a Mecca for the young people of the area. Local worthy Lady Lucinda Somerton is looking to revive both hall and community by organising a reunion - for those with happy memories of the Youth Association stretching back decades. A generous benefactor will be guest of honour. But how will that benefactor be received by those who can remember how things were in days gone by? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Rhyming Diary Of Mrs Pepys by Carolyn Kain |
Roles | Minimum Male roles = 2. Minimum Female roles = 7. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 52 minutes. [Estimated!] Original production ran to 70 minutes with suggested music. |
Music | The producer's copy of the script contains suggestions for seven intermission pieces. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A rhyming historical comedy (lots of period detail and lots of laughs). Structurally in two acts, but possible to stage as a one-act in the sense of half an evening's entertainment. |
Synopsis | Mrs Pepys takes her husband’s famous diary and reveals the legacy of King Charles II's womanising. The rivalries of his numerous mistresses are depicted with historical accuracy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
A Right How-Do-You-Do! by Robin Wilson |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 9. No chorus. One (gender non-specific) character is voice-only and can be pre-recorded. |
Run Time | Around 107 minutes. [Estimated!] |
Music | None. |
Style | A full length comedy with two simple (theatre and living room) settings. |
Synopsis | The local drama group is rehearsing its next production, a pantomime, but casting is difficult, and relationships between the members become strained, and not a little illicit, as infidelities blossom and come to a surprising end. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Romeo and Juliet - Sped Up! by Hannah Thomas Best Seller |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 16. Chorus. Most of the speaking is done by the two narrators. There are six other speaking parts (some of whom have as much as a word) and other named roles played by people stepping out of the chorus (usually to be brushed-off or stabbed). |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten-minute reduction of Romeo and Juliet. No set requirements, just a few props, love and death. |
Synopsis | Shakespeare's tale of young love and tragedy given short shrift in this heavily condensed version. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Romeo and Juliet Date Other People by Jon Jory |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy starting from Shakespeare and straying a good way. Simple to stage. Written in American English. |
Synopsis | Romeo's wooing of Juliet fails when both run out of poetry, so they agree to take a break and see other people. Romeo's dates with Lady Macbeth, Cleopatra, and the Wicked Witch of the West don't go well, nor do Juliet's with Paris, Iago and Oberon. Maybe the star-cross'd lovers are the only ones right for each other. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|