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| Sealed With A Loving Kiss by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, single cottage living-room set. |
| Synopsis | Don arrives on Jill's doorstep twenty one years after their relationship ended. Can he explain why he never came back from the army? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Séance by Archie Wilson |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play - a ghost/horror story. Single set. Lots of fun for the special effects crew. Contains swearing and intolerance. |
| Synopsis | Graham and Deborah have invited four old friends to their housewarming party - and the house certainly needs it - the attic was the scene of a brutal murder, and little seems to have changed since that time. Tensions rise as the members of the group begin to feel that the room is haunted. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Search for Pyrrha by Jonathan Edgington |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Short fantasy drama with an air of mystery. A stand-alone play, but also the sequel to the award-winning Gone. |
| Synopsis | Ten years after her disappearance, George is still searching for his wife. In a field scheduled to be turned into a nature reserve, he finds a mysterious door. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Second Chance by Jim Pinnock |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. One voice is an offstage announcer. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller - single set. |
| Synopsis | Customers and staff are put through psychological torment as a man with a bomb holds them hostage, but all but one of them benefit from the experience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'A Second Chance' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Click here to read the script or Click here for more details. |
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| The Second Floor by Robert Scott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a simple setting. |
| Synopsis | Chloe is a powerful businesswoman with a sharp tongue - she’s going to set the board straight before tearing through the rest of her appointments. But she ends up stuck in the elevator with her ex-husband, who has some important things to tell her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Second Honeymoon by Alan Barkley
Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play, set in 1952. |
| Synopsis | Claire is looking for a way out of her marriage, but instead runs into someone who knows all about trying to cope with a demanding life - Marilyn Monroe. They trade lives for an afternoon and learn a little about life from each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Secret of Giving Up Smoking by Damian Trasler |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The script is written with the characters as two women and one man, however other mixes are possible. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. Contemporary realism. Simple set, simple props. |
| Synopsis | Barry and Nancy attend Celia's 'Give up smoking' seminar, but will it be the painless solution they're both looking for, or just another expensive con? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Secret Testament of John Shakespeare by Martin Lytton |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Historical drama (on the boundary between a one-act and a full-length play). Single set. Lots of historical detail amidst a passionate story. |
| Synopsis | William Shakespeare's wife drops in on her in-laws to mind her Father-in-Law while his wife visits a friend. The Informer James Langrake, who was responsible for the fall in Shakespeare senior's fortunes, calls in unannounced and nearly finds evidence to bring death to the household. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Seeing Red by Karen Ankers
Production by Dingwall Players won Best Play, SCDA One Act Festival (Moray Firth District) 2019 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with humorous undertones, with a single, park bench setting. |
| Synopsis | With a strong touch of satire, we find Nellie brazenly committing the supposed heinous offence of knitting. Young Belinda is horrified as she discovers Nellie openly and defiantly knitting in such a public place... but is liberated as Nellie's past experiences come to light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Self Centre by Jackie Carreira |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act prose monologue. |
| Synopsis | As she deals with a series of customers, Vivi, a receptionist at a new age health centre, reflects on the circumstances that brought her here and the loss of her brother. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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