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An Order of Lunacy by Paul Adam Levy Won Best Unpublished Play at the Isle of Man Theatre Festival, 2018. |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 42 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama with two settings on one stage. |
Synopsis | In nineteenth-century England, two mad-doctors assess the Wright sisters, potential patients, under the lunacy laws. Most at risk under these laws were wealthy eccentrics and women, who could be sent to asylums if they proved inconvenient or deviated from the social norms. Will the doctors make judgements based on their own morals, or are they nothing but profiteers? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Out Of Hours by Robin Wilson |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 52 minutes. [Estimated!] |
Music | None. |
Style | A one act, farce-like play. |
Synopsis | John Williams is relieved his wife has had to dash off to her mother's - because he has some work to do. He calls his secretary, even though it's outside work hours, to help him calibrate the new technologically advanced bed he's been given... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Soldiers' Tale by Mike Sparks |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Modern version of a medieval mystery play. Single, minimal set, basic props. |
Synopsis | The events on Calvary discussed from the perspective of bystanders, including the soldiers who administered the crucifixion. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Spirits of the Age by John Chambers |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | A one act play, with a single (multi-functional) set. |
Synopsis | The relationship between Houdini and Conan Doyle is examined - through the medium of their investigation of the spirit world and its practitioners, in an intriguingly-staged drama. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sweet Dreams by Peter Appleton |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one-act twisted psychological drama, verging on the melodramatic. |
Synopsis | Plagued by nightmares after a mysterious accident, Anne has trouble telling reality from her dreams. Is her fiancé alive or dead? Is her father helping her, or holding her prisoner? Can she even trust her oldest friend? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Under the Hood by Damian Trasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Voices by Peter Harrison 2012. Hale One-Act play festival. Winner Best Original play. Production by Altrincham Garrick. |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 16. No chorus. Designed for one principal character and four on-stage voices, though the voices could be allocated amongst a larger number of actors. The principal character is an old man, nevertheless, this could be played by a youth theatre company. |
Run Time | Around 33 minutes. [Estimated!] |
Music | The producer's copy of the script makes suggestions for accompanying music/songs. (For atmosphere, rather than live performance). Lazy Bee Scripts does not supply any sheet music with this script. |
Style | One-act play, set in the mind of the principal character, with other roles voiced but not interacting directly with him. |
Synopsis | A veteran soldier finds himself trapped in his own flat, facing an imagined enemy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Warm, Hot, Getting Hotter by Lou Treleaven Winner, Wimbledon Playfest 2014 |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy, with a strange restaurant setting. |
Synopsis | It gradually becomes clear that the oddly decorated restaurant, the strange waiter, and the very hot food are not what they seem... Each of these diners has a past that they may really be regretting. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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You Just Never Know by Liz Dobson |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The two police officers could be male or female |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Drama in a single (living-room) set. Structurally in three acts - but in run-time on the borderline between a one act play and full length. |
Synopsis | When Mo decides to surprise her husband with an anniversary party, little does she know that she will be the one left speechless and horrified. But the story doesn’t end there, because no-one could have predicted what happened next... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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