|
| The Girls Are Back in Town by Jonathan Edgington |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | One public domain song is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama set in both the present day and WW1. Seven different settings, though all can be portrayed with minimal furniture. |
| Synopsis | Four iconic suffragettes are mysteriously transported to modern-day London to finish what they started. 100 years earlier, as Alan learns the horrors of life on the Western Front, his girlfriend Beatrice carries out important work for the suffragettes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| God's Minstrel by Joseph P. Ritz |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
| Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Guests by Carolyn Drury |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy drama with a single (living room) setting. |
| Synopsis | Feeling the financial pinch after a generous Christmas, pensioner and former child movie star Mary opens her house to some visiting actors. Two are pleasant enough characters, but Louise is more of a handful. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Hansel and Gretel... and Sadie by Steven Stack |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, with an imaginative twist to the classic tale. A companion (same style, different tale) to Ted (Of Edible Houses, Risky Bargains, and Other Grimm Happenings) |
| Synopsis | A quirky take on a classic tale. Hansel and Gretel have another child living with them - Sadie, who loves to read. This comes in handy when the children are taken deep into the forest and abandoned by the parents... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Heart-Shaped Cushion by Louise Wade |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 21. No chorus. The patients can be any age from about thirty-five to sixty-five. Beth and Tom should be about the same age. Doubling and trebling-up is possible with a minimum of one man and six women |
| Run Time | Around 67 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama following a patient's experience with breast cancer, through chemo and physiotherapy, to exiting the treatment. |
| Synopsis | Along the way we meet people dealing with similar experiences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Heedless Spirits by Jenny Gilbert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Characters are older teenagers or young adults. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for teenagers. Single, simple set, few props. Contains mild swearing. |
| Synopsis | Six young people in a cinema, waiting for a film to start. Two were once an item and are trying to ignore each other. Two are attracted to each other, to the disdain of their friends. Two aren't sure why they're there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
|
|
I Believe In Angels by Tony Domaille
Octopus Youth. Bristol One Act Festival Best Youth Play award 1994. Runner up in the Five Counties One Act Festival 1994. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, suitable for youth theatre, with a single (garden of remembrance) setting. |
| Synopsis | A group of teenagers meet to have a séance and call up the spirit of Steve, their friend who has died. Between them they confront their grief, fear, and what they can and cannot believe. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| I Love You When It's Raining, Roy G Biv by Martin R. Collin |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 14. Chorus. The chorus covers a school class, a choir and a funeral congregation, so very flexible numbers!
The structure of the story implies a mixture of adults and children, but of course it could be performed by a youth company. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | A couple of public domain songs are suggested for use in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play with various simple settings. |
| Synopsis | Roy is that inspirational teacher everyone remembers. He arrives at a small school in Ohio and immediately makes a mark on every pupil he comes into contact with. His death is sudden and unexpected but his spirit lives on as his pupils move into adulthood. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|