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Up, Up and Away by John Peel |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Watch Your Back by Liz Dobson |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Barlow is a male voice on a telephone speaker and might be doubled (or, possibly, recorded). |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy. Single 1970s office set. |
Synopsis | This takes us back to a typical typing pool in 1972, where lecherous Head of the Accounts Department, Mr.Crawley, known as Creepy Crawley to the girls in the office, rules the roost. Supervisor Marjorie is frustrated in her attempts to shelter her girls, Gill and Sally, from his sexist antics until newcomer Helen presents her with a delicious opportunity to make sure that Mr. Crawley gets his just desserts. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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We Don’t Like To Be Beside The Seaside by John Peel |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Six on-stage characters plus a radio announcer (who could be recorded). |
Run Time | Around 102 minutes. [Estimated!] |
Music | None. |
Style | Full-length play with a single main-stage set and occasional action in other places, set in downstage areas. |
Synopsis | It's an annual event for three married couples to take a cottage by the sea. One couple drops out at the last minute. But they have found two younger unattached women to take their place. Things get complicated when it turns out the newcomers may be unknown to the wives, but not to the husbands. The question is, by design or destiny? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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You Just Never Know by Liz Dobson |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The two police officers could be male or female |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Drama in a single (living-room) set. Structurally in three acts - but in run-time on the borderline between a one act play and full length. |
Synopsis | When Mo decides to surprise her husband with an anniversary party, little does she know that she will be the one left speechless and horrified. But the story doesn’t end there, because no-one could have predicted what happened next... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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