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| Way Off Course by Barry Lambert |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Dr Dorris Boffin talks a strange, clipped form of English. This is deliberate. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy/drama. Single set - a police operations room with a single entrance (which need not be a practical door). |
| Synopsis | Inspector Whalley and colleagues investigate the iniquities of a team-building course - and win the gratitude of the boss into the bargain.
'Way Off Course' is available with two other episodes in Inspector Whalley's Casebook - Volume 2. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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We're All Dead by Jonathan Edgington
Selected for and performed (by Precipice Productions) at Stockwell Playhouse's 2019 One Act Playwriting Festival in London where it received a 'Highly Commended' award. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Two of the male characters should look alike. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act ghostly drama with multiple settings (arranged by the actors). With adult themes and strong language.
First published in 2013, revised edition published 2019. |
| Synopsis | With time shifting between the present day and 1973, Russ and Rachel experience life changing events brought about by Russ's encounter with his younger self. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Wedding Day by John F. Glen
Performance by Thurso Players won two trophies and came second overall in the SCDA Caithness Adult Festival of One Act Plays, Feb 2008 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Range of ages - three adult generations of one family. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple set (two pieces of furniture - so easy to stage as a competition piece). Contains mild swearing. |
| Synopsis | Annie, elderly matriarch of a family, looks back on a long life on the day her granddaughter gets married. She recalls the wedding of her daughter and her own wedding day, as well as some sadder memories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Weir of Hermiston by David McVey from Robert Louis Stevenson |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. Chorus. Characters are adults, plus one boy with a playing age of around 10, as the young Archie Weir. The chorus (non-speaking townspeople, servants, etc.) is optional. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, focusing on the relationship between Archie Weir and his tyrannical father. Adapted from an unfinished novel by Robert Louis Stevenson. Uses broad Scots (though omitting the less fathomable language from Stevenson's draft.) |
| Synopsis | Archie Weir is the son of the Lord Justice Clerk and in training to be a lawyer himself, though he is fearful of his hard father. Following advice from a family friend, Archie watches a trial held by his father and is horrified at the old man's apparent glee at hanging the poor wretch. He speaks out in public against the death penalty and is exiled to the family's country estate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Welcome to Paradise Road by Brian Coyle
Best Script in Festival - Page to Stage Theatre Festival, Liverpool (2016) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | A satirical thriller with a set alternating between an office and a living room. |
| Synopsis | In a society where nothing is private and no one knows who to trust, a woman’s partner has disappeared. She is visiting her neighbour, head of the local Neighbourhood Watch, to find out if she’s heard anything about his disappearance. Will her neighbour help her or is this the person she should be most afraid of? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What Manner of Man by Mike Smith |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 9. No chorus. Prince Charles Edward Stuart was regarded as having feminine looks and could be played by a woman. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act historical drama, set in the Jacobite rebellion of 1745. Most of the action takes place in a single interior set. Two exterior scenes could be played on bare stage. |
| Synopsis | Having reached the English town of Derby, Adjutant General of Bonnie Prince Charlie's forces, Lord George Murray agonises over the need to tell the Prince that taking London is not possible. He must win over two other members of the Prince's council to carry the day and force retreat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Whatever Happened To Old Miss Weere by Richard Hills |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. One male character has an offstage vocal part |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, set in the single location of a bar at the Rose and Crown. |
| Synopsis | Some of the regulars have gathered in the Rose and Crown, and conversation turns to old Miss Weere. She hasn’t been seen about for a few weeks, not even coming in for her usual drink. Perhaps they should call the police? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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When Darkness Falls by Sam Simkin
On the evidence of this script, the author won the award for Most Promising Young Playwright, Trinity College London's International Playwriting Competition, 2013-14 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 18. Minimum total without doubling = 32. Chorus. Intended for performance by a Youth Theatre company or by a mix of adults and teenagers. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, very much from the perspective of the central character. |
| Synopsis | Teenager Alex lives with his dysfunctional family in a state of teenage confusion and angst. His witnessing of a murder has a profound effect on his already troubled mind leading to his leaving home. His encounter with homeless people is inspirational and leads him down the right path. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| When We Were Young by Allan Williams |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (with minimum staging requirements) set in World War One. |
| Synopsis | Six monologues from three different characters, set during the First World War. Two soldiers who were childhood friends, recound their wartime experiences, as does a nurse who meets one of the men when he becomes one of the many casualties of the Great War |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Where There's Blame by John Chambers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, minimal set requirements, simple props, three strong characters and an involving story. Contains strong language and adult themes. |
| Synopsis | Lennie is fronting an accident claim company to raise money for his property speculating in Spain, Tina's waiting for Kevin to bring her some money for the week's shopping, but he's got caught up with Lennie's pie in the sky. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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