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Lorelei by Jonathan Edgington |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Lorelei has a playing age of around 23. |
Run Time | Around 6 minutes. [Estimated!] |
Music | None. |
Style | A dramatic monologue for a young woman, Single set (three pieces of furniture) and a few props. |
Synopsis | Lorelei's story is a sad one, of a life gone wrong and a struggle to cope with a new identity and the loss of the past. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Love Me Tender by Roger Woodcock |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 55 minutes. [Estimated!] |
Music | Four Elvis Presley songs are suggested, to be sung by character within the play. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one-act drama with a mix of comedy and pathos. A single kitchen setting. |
Synopsis | In an economic downturn, a fish and chip shop owner and his wife can't decide whether to stay open or move to Spain, while their part-time potato peeler Billy happily sings Elvis songs and dreams of what's under Olga Pike's duffle coat. A tragedy will turn all their lives upside down. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Macbeth [75-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 29. No chorus. Twenty-nine roles, but playable by a cast of ten. (The producer's copy of the script includes a table of roles per scene to help figure out the doubling options.) |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | A 75-minute abridgement of Shakespeare's Scottish play. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | Witchcraft, prophecies, hallucination, regicide, porterage, portents, usurpation, amicide, phantom at the feast, apparitions, equivocations, blood-boltered spectre, family massacre, somnambulation, suicide, tyrannicide, decapitation. All good clean fun. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Make Up by Terry Adlam |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. One offstage voice, could be pre-recorded. |
Run Time | Around 21 minutes. [Estimated!] |
Music | None. |
Style | A short one act play, with a simple set. |
Synopsis | Partners in comedy for many years, Bob and Roy have reached a crisis point. Bob has had enough of the club circuit, but Roy isn't ready to give up. Will the two be able to compromise, or is it the end of the road? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Mam by Allan Williams |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters, and an off-stage - disembodied - voice. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one-act play with a single set and strong characters. Contains mild swearing. |
Synopsis | Two brothers have taken different paths in life. Richard, the younger, went off to University and made it big in London, married and divorced. Peter stood in for his late father, raising Richard and going out to work to bring in some money. Now they say things long kept secret. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Matters Arising by Richard Moore |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 52 minutes. [Estimated!] |
Music | None. |
Style | A one act drama.. |
Synopsis | A routine will reading reveals a history of complex and shocking bygone misdemeanours matched only by the current web of deceit revealed in the secret lives of the beneficiaries. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Meeting of Minds by Catherine Willacy & Andrew Bramble Production by Cairns Little Theatre Inc, Queensland won Best Drama in the FNQATA One Act Play Festival in May 2018, in the Open Section for plays of 16-45 minutes. |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama, well suited for festival performance. |
Synopsis | An unexpected reunion leads to hard truths and hilarious memories. But what exactly is their relationship, and where will it all end? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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The Melting Sands by Jim Pinnock |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 36 minutes. [Estimated!] |
Music | None. |
Style | A one act murder thriller with a single (beach house ) set. |
Synopsis | Tables are turned as two seemingly innocent and unconnected women seek revenge. The one on her philandering bank robber husband, the other on her scheming daughter and her new husband. All the while the menace of the melting sand hovers in the background. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** Poster template, illustrated by Dale French, for 'The Melting Sands' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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Click here to read the script or Click here for more details. |
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Memories Of Tomorrow by Stewart Boston |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
Run Time | Around 8 minutes. [Estimated!] |
Music | None. |
Style | A short one act fantasy, or time-shift, drama with simple settings. |
Synopsis | In his sick bed Peter hears some startling radio news of a high profile murder. Are subsequent events driven by his delirium, or has time actually shifted? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Messengers by Clay Space |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 22 minutes. [Estimated!] |
Music | None. |
Style | A one act play for youth age performers, with a simple set. |
Synopsis | A demanding and emotional piece of drama. Years of blame and abuse have brought Brian to the point of taking his own life. As the garage fills with car exhaust, he is visited by figures from his life who force him to consider his choices. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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