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| The Victory of the Revolution by Vithal Rajan |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A combination of Indian storytelling and chess! Simple props, but needs a means of displaying the chess moves to the audience. |
| Synopsis | Game Seven in the Varadachary Chess Cycle. The Cuban revolution, reviewed through Fidel Castro's 1966 chess match against the Mexican master Filiberto Terrazas. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| View from the Prom by Neville Judson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama of a three-way conversation. Easy to stage, requiring just a bench for the three women to sit on. |
| Synopsis | Three women, from three generations of a family, sit on a bench overlooking the beach in Tenby. Tegwyn has decided to send her mother Gwendolyn to an old people's home for a few days, but is uncomfortable about it. Tegwyn's daughter Celyn is not happy being away doing research and wants to come home. Gwendolyn sees four swimmers whom she believes she had last seen many years before.
[Gwendolyn has seen the swimmers before - their meeeting is told from the swimmers' perspective in The Barrier. Knowledge of this is completely irrelevant to the content of this play, but nevertheless, the two plays would work well together.] |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Visitor by Dean Laccohee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set (a psychiatrist's office), simple props. A play with things to say about seizing the moment, and about our reactions to hardship and suffering. |
| Synopsis | A patient gives his psychiatrist a few problems by claiming to come from a distant planet. His belief can't be shaken, and worse, he says the world is going to end very soon. Will Dr Collinghurst accept his offer of a ride on his spaceship, or at least ask Nurse Elizabeth out before Doomsday? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Voices by Peter Harrison
2012. Hale One-Act play festival. Winner Best Original play. Production by Altrincham Garrick. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 16. No chorus. Designed for one principal character and four on-stage voices, though the voices could be allocated amongst a larger number of actors.
The principal character is an old man, nevertheless, this could be played by a youth theatre company. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | The producer's copy of the script makes suggestions for accompanying music/songs. (For atmosphere, rather than live performance). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play, set in the mind of the principal character, with other roles voiced but not interacting directly with him. |
| Synopsis | A veteran soldier finds himself trapped in his own flat, facing an imagined enemy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The W.I. by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, simple (minimal meeting room) setting. |
| Synopsis | An undercover reporter is trying to gather material that will prove her theory that the WI is a collection of useless women filling their empty lives with trivia, tea and jumble sales. For her, it's going to be an eye-opener, but for the other women, it's regular day at the WI... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Waiting in Soho by Christopher Morgan |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act play with a single bar-room set. An ensemble piece with seven overlapping stories. Contains a range of adult themes. |
| Synopsis | A disparate group are sharing space in a Soho bar at the weekend - their only common ground. Through voicing streams of overlapping thoughts, they open up and reveal the experiences that brought them to where they are. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Warm Crayons by Ashley Harris |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a simple set. |
| Synopsis | Mr Hughes doesn't have the greatest patience as a schoolteacher but he does love his job. A routine student prank seems to be the trigger for a vile and immoral act. Is Hughes innocent or has he been hiding his evil ways all along? Warm Crayons questions the way the world looks upon physical and sexual abuse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Warm, Hot, Getting Hotter by Lou Treleaven
Winner, Wimbledon Playfest 2014 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with a strange restaurant setting. |
| Synopsis | It gradually becomes clear that the oddly decorated restaurant, the strange waiter, and the very hot food are not what they seem... Each of these diners has a past that they may really be regretting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Watch Your Back by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Barlow is a male voice on a telephone speaker and might be doubled (or, possibly, recorded). |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy. Single 1970s office set. |
| Synopsis | This takes us back to a typical typing pool in 1972, where lecherous Head of the Accounts Department, Mr.Crawley, known as Creepy Crawley to the girls in the office, rules the roost. Supervisor Marjorie is frustrated in her attempts to shelter her girls, Gill and Sally, from his sexist antics until newcomer Helen presents her with a delicious opportunity to make sure that Mr. Crawley gets his just desserts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Watt's Cooking by Raymond Blakesley |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama for children to perform, with simple sets. |
| Synopsis | Recalcitrant child Edna's nature is transformed - when she is sent away to live with mean old pie maker Mrs Watts, who grants Edna's wish to have her name changed to Goldilox. She is successful in persuading the Bear family to enjoy fruit and vegetables rather than meat, but the sting in the tail hints of a grisly end for Mrs Watts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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