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| Macbeth [75-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 29. No chorus. Twenty-nine roles, but playable by a cast of ten. (The producer's copy of the script includes a table of roles per scene to help figure out the doubling options.) |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A 75-minute abridgement of Shakespeare's Scottish play.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | Witchcraft, prophecies, hallucination, regicide, porterage, portents, usurpation, amicide, phantom at the feast, apparitions, equivocations, blood-boltered spectre, family massacre, somnambulation, suicide, tyrannicide, decapitation.
All good clean fun. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Macbeth [a 60-minute abridgement] by Shakespeare abridged by Dwayne Lawler |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Macbeth', with the original text of around three hours cut down to 60 minutes.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Witches, prophesies, murders, battles and ghosts. Shakespeare's Macbeth compressed to the compass of a small cast. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Meeting In The Park by Peter Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short play, with a simple (bench) setting. |
| Synopsis | Two men of differing ideals, but with some odd similarities, meet in the grounds of the Schönbrunn Palace in Vienna. One, Adolf, is painting a picture of the palace. The other, Josef, is taking the air and watching the people... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Merry Christmas Fritz by Geoff Parker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | One-act dramatic monologue set in a World War One hospital. |
| Synopsis | A soldier, seriously wounded in the early part of the Great War, relates the horrific experiences which brought him to his hospital bed and his hopes for the future, sadly to be thwarted by events to come.
(The dramatisation allows Tommy to know a little more about the details of the strategy of the First World War generals than he would have known, but not as much as we know with hindsight.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| O, What A Lovers' War! by Karen Ince |
| Roles | Minimum Male roles = 7. Minimum Female roles = 7. Minimum total with doubling = 16. Minimum total without doubling = 20. No chorus. Optional numbers of non-speaking women and soldiers. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, evoking times of the First World War, in various settings. |
| Synopsis | A story of love during the Great War, told through a series of vignettes, looking at the Home Front through the lives of two families from different social classes - for whom the conflict has parallel effects. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Over the Top by Geoff Parker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama set in a First World War trench. |
| Synopsis | As a seasoned sergeant and a young recruit wait for the signal to go over the top they console each other about the position they are in. A sharp reminder of the folly of war with a very surprising ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Pilot's Thoughts at the End of the War by Philippa Roberts |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Whilst this is a monologue, there is an option for a group of mournful dancers. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Five minute serious monologue with no set or prop requirements. |
| Synopsis | The war in question is the Second World War, and the pilot is regretting participating in the bombing of Dresden. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Price of Firewood by Hilary Mackelden
The author will be donating 50% of her royalties to go to the Charity 'World In Need', which works with refugees like the ones in the play (and with whom the author worked in Kenya) |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length serious drama on the politics and economics of war and trade. Split-stage set. |
| Synopsis | A reporter sends a shocking bulletin from a refugee camp in a war torn country, but the government of that country is signing some very important trade agreements, and the help for the victims of violence seems very slow in coming, despite the official 'investigation'. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Red Balloon by Damian Trasler
Best Play, GDA Festival 2006
'A breath of fresh air' (competition judge giving 5 awards, Radnor 2010), Performance by Royal Manor Theatre won Best Youth Play at the Dorset Drama League Festival, 2013 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Single set (bare stage, with a few items of furniture brought on during the piece). Few props. Explores the nature of live theatre! |
| Synopsis | A couple interrupt the premier of a piece of Modern Theatre and claim it's all rubbish. The performer challenges them to produce something better, and the three begin to work on the piece together. What will they come up with by the end of the evening? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Remember Scarborough by James Baynes |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. One M and one F are non-speaking. Second F is small speaking role. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | One piece of music is suggested, integral to the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | An affecting one act play, largely spoken by a sole actor, with three cameo roles. |
| Synopsis | In a one-sided conversation with his long dead friend, an old man recalls the war years - the excitement, adventure and loss of being an RAF bombardier. The other parts included - two dancers appear briefly, and at the end, the old man's daughter joins him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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