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The Attic by Robert Scott
Best Seller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | One-act ghost story on a divided stage. |
| Synopsis | Demi began trying to sort out the attic ahead of the house move, but she’s become obsessed with an incomplete letter she’s found. Is it a suicide note? A confession? What’s her connection with the woman from the past? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Brilliance in the Room by Phil Porter |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 105. No chorus. An ensemble piece designed for a cast of 12 or more, each playing multiple roles. |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length sweep of Dickensian vignettes, with an ensemble of actors playing multiple characters. No specific set, but props are manipulated to convey locations. |
| Synopsis | A dreamlike convergence of Dickens’ characters and situations swirl about the stage, in a celebration of the author’s works. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Change Of Heart by Tony Frier |
| Roles | Minimum Male roles = 4. Minimum Female roles = 7. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 47 minutes. [Estimated!] |
| Music | None. |
| Style | A one act Victorian melodrama-style thriller. |
| Synopsis | A tangled tale of bigamy and murder in 19th Century Manchester. Three girls from Ireland take up domestic service at the Chilterns' home. When Mrs Chiltern unexpectedly returns home one evening to find her husband dead, little does she imagine that she will be the one facing the gallows. Will a change of heart spare her? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dracula by Damian Woods |
| Roles | Minimum Male roles = 8. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama adapted from the Bram Stoker novel. This has been written to be easily staged, by use of props, lighting and sound, rather than elaborate sets. |
| Synopsis | The classic gothic tale is authentically brought to life, as young lawyer Jonathan Harker is sent to a Transylvanian castle to meet with the mysterious Count Dracula, who is planning to move to England. But he doesn't realise that the Count has a taste for blood... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In The White Time by Tony Frier |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 25. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] Structurally in one act, but could be performed as a full evening's entertainment. |
| Music | None. |
| Style | A Victorian historical drama, based on a true murder case |
| Synopsis | As a young teenager Mary Wheeler had witnessed her father being convicted and hanged for murder. The trauma resulted in her having intermittent blackouts which she termed her ‘White Time’. Mary invites her lover's mistress Phoebe around one afternoon, leading to her disappearance. Mary is trialled for murder, and only a mysterious letter may reveal the truth of the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Raw Materials by John Chambers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama for a cast of two. Simple set - essentially a desk and a pile of rags! |
| Synopsis | John Brown speaks of his troubles trying to get his memoirs of Robert Blincoe, a boy who worked in the cotton mills, published. Robert tells his own story and explains what happened to John Brown himself after three years of failure.
A window onto the industrial revolution. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sherlock Holmes: A Study in Scarlet by Bart Lovins |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 35. No chorus. Designed to be played by a cast of 10 (doubling notes provided in the producer's script). |
| Run Time | Around 131 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length adaptation of Conan Doyle's detective novel, with continuous action through various settings, performed with ten actors and four chairs (props are mimed). |
| Synopsis | The game is afoot and mystery and murder abound! The year is 1881. The city is London. A man lies dead in an empty house, not a mark upon him and no clues - save for the word RACHE scrawled in blood on the wall above. Elsewhere, two young men - a former army doctor and a brilliant eccentric - meet for the first time. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shreds - The Unravelling of Charles Dickens by Phil Porter (music Mary Harrison Hewett) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 32. Chorus. Two principals (Dickens and George Dolby), plus many other characters, real and from Dickens' writing, who might be played by a number of on-stage 'voices'. |
| Run Time | Around 48 minutes. [Estimated!] (The original production ran for one hour.) |
| Music | Keyboard scores for 10 pieces of background music are provided with the producer's copy of the script. |
| Style | Drama in a single simple set, designed to be accompanied by projected images (with the option for an on-stage pianist providing mood music). |
| Synopsis | A dramatization of the circumstances that led Charles Dickens to wild success reading extracts from his novels on stage, and the terrible toll it took on him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** CD with 40 images, 18 sound effects, 3 video clips and 10 pieces of musical accompaniment for 'Shreds - The Unravelling of Charles Dickens' by Phil Porter (Music by Mary Harrison Hewett)
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| Click here to read the script or Click here for more details. |
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| Stuff And Nonsense by Horry Parsons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 8. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A Victorian murder mystery melodrama presented with a large dose of comedy |
| Synopsis | It’s Christmas, and the Squire is on his way to evict the entire household of down-on-his-luck Taxidermist Sid Softnut. But the family have a plan to prevent the Squire throwing them out. His sudden death from poisoning changes everything... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tresses by Peter Harrison |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. Contains one non-speaking male role and one pre-recorded voice. |
| Run Time | Around 109 minutes. [Estimated!] |
| Music | None. |
| Style | A full length historical drama, set in an ornate Victorian room and a graveyard. |
| Synopsis | The Brotherhood of the Pre-Raphaelites has recruited a new sitter, the dazzling but uncultured Elizabeth Siddal. She becomes Rossetti's wife and a friend to his sister, but the unequal marriage takes a terrible toll. Contains a scene with partial female nudity. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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