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King Henry IV, Part 2 [60-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 8. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 35. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | A 60-minute abridgement of the Shakespeare history. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | After the Battle of Shrewsbury, Falstaff is sent with Lord John of Lancaster to deal with the rebellion in the north. King Henry, who has been ill for some time, dies after a reconciliation with Prince Hal, who, as Henry V, abjures his former friendships. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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King Henry V [60-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 26. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | A 60-minute abridgement of the Shakespeare history. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | King Henry is intent on reclaiming his entitlement to France. He invades Harfleur and then, with his troops exhausted and ill, wants to take his army to the English-ruled Calais - but the French bar his way and engage him in battle. On the fields of Agincourt, Henry achieves a surprising victory. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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King Richard the Second [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 8. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 26. No chorus. All the doubled roles are male (so the numbers without doubling are 22M, 4F), but of course you can cast whoever you like. There are options to increase the cast size with non-speaking court retinue. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | A 60-minute abridgement of the Shakespeare history. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | King Richard II, badly advised, banishes Henry Bolingbroke. When Richard seizes the property of John of Gaunt, Henry's father, Henry returns to get restitution. He builds a strong following against the unpopular Richard, who surrenders the crown, is imprisoned, and murdered. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Last Train to Sleepy Hollow by David Pemberton |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 15. Minimum total without doubling = 19. Chorus. Variable Chorus size at the Producer's discretion. |
Run Time | Around 64 minutes. [Estimated!] |
Music | Music and song suggestions for eight pieces are provided in the Producer's copy of this script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A comedy spoof play, with music, in various settings. |
Synopsis | When Arthur is summoned by his Godmother to exorcise her house of spooks, he discovers a dastardly plot to frighten her off her valuable real estate. In the ultimate battle of innocence against the powers of darkness, Arthur destroys the black heart of the Bigwitch, finds true love, restores Spooky Hollow to his Godmother and catches the last train home! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Laughter Lines by Frank Gibbons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
Synopsis | Sketches about life, death, relationships and cream cakes. Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.) There is no particular order to the sketches, but there are occasional common themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Life Imitating Art by Joan Greening |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | A two act drama, with a one act length, and with a single (art gallery) set. |
Synopsis | Mature art student Dorothy surprises Pete in the art gallery, confusing him for her tour guide. For his own reasons he goes along with Dorothy's mistaken belief that he is a professor of art. The whole experience enriches them both. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Love's Labour's Lost [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 10. Minimum Female roles = 5. Minimum total with doubling = 17. Minimum total without doubling = 18. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | A 60-minute abridgement of the Shakespeare comedy. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | Ferdinand, King of Navarre, has decided that he and his court will devote three years to an ascetic life of studying, fasting, and forswearing the company of women. However, he has forgotten that the Princess of France and her retinue are due to visit. So, will the court pursue asceticism or pretty women? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Macbeth [75-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 29. No chorus. Twenty-nine roles, but playable by a cast of ten. (The producer's copy of the script includes a table of roles per scene to help figure out the doubling options.) |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | A 75-minute abridgement of Shakespeare's Scottish play. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | Witchcraft, prophecies, hallucination, regicide, porterage, portents, usurpation, amicide, phantom at the feast, apparitions, equivocations, blood-boltered spectre, family massacre, somnambulation, suicide, tyrannicide, decapitation. All good clean fun. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Mary Anning: Lost in Time by Peter John Cooper |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 66 minutes. [Estimated!] |
Music | None. |
Style | Historical drama. Structurally in two acts, but on the boundary between one-act and two-act length. Dorset rocks. |
Synopsis | Nineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Matt Freeman's San Antonio by Sandy Radford |
Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love. A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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