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Gino of the Lamp by Paul Bovino |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. Two on-stage characters plus an offstage voice (which could be recorded). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play. Single New York apartment set Contains swearing (and fantasy). |
Synopsis | Betsy is trying to get used to her lousy apartment after finally breaking up with Eddie after thirteen years. When she absently rubs an old lamp, Gino emerges and offers her a single wish. Out of the whole, what is it that Betsy will wish for? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hansel and Gretel... and Sadie by Steven Stack |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A one act play, with an imaginative twist to the classic tale. A companion (same style, different tale) to Ted (Of Edible Houses, Risky Bargains, and Other Grimm Happenings) |
Synopsis | A quirky take on a classic tale. Hansel and Gretel have another child living with them - Sadie, who loves to read. This comes in handy when the children are taken deep into the forest and abandoned by the parents... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Heksejag by S. Ardern (vertaal deur Ronèl de Beer) |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Minimum mansrolle = 4. Minimum vrouerolle = 2. Minimum totaal met doeblering = 12. Minimum totaal sonder doeblering = 14. Koor. Alle karakters is volwassenes, maar die teks is geskryf vir tieners. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | 'n Eenakter met basiese rekwisiete en geen dekorvereistes nie. Baie koorwerk. |
Synopsis | Wanneer 'n ou tannie in haar gehuggie intrek, word sy eers met vyandigheid begroet. Mettertyd veroorsaak haar kennis van natuurlike medisyne egter dat sy die gemeenskap se respek wen. Die moeilikheid begin wanneer siektes en hongersnood uitbreek en die ou tannie van heksery beskuldig word. (Heksejag is an Afrikaans translation of Witch Hunt by Stuart Ardern.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Journey to Oz by Richard Coleman |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 19. Chorus. Lots of scope for choruses of munchkins, wolves, crows and bees! |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | Rhyming (non-musical) version of L. Frank Baum's The Wizard of Oz. Multiple locations, but can be staged as simply as necessary! |
Synopsis | A tornado plucks Dorothy Gale from Kansas and drops her and, more significantly (from the perspective of a tendancy to squish), her house, on top of a despised witch. Two quests follow (as do a scarecrow, a tin man and a lion), before she is able to return home. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Macbeth [a 60-minute abridgement] by Shakespeare abridged by Dwayne Lawler |
Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 15. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'Macbeth', with the original text of around three hours cut down to 60 minutes. (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | Witches, prophesies, murders, battles and ghosts. Shakespeare's Macbeth compressed to the compass of a small cast. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Rhyming Macbeth by Jeremy Tyburn |
Roles | Minimum Male roles = 12. Minimum Female roles = 1. Minimum total with doubling = 26. Minimum total without doubling = 40. No chorus. There are 22 Non-speaking roles, but Narrators 1 and 2 could be further divided at the Producer's discretion. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A rhyming, modern language version, one act length - written originally as a Readers' Theatre piece. |
Synopsis | A shortened adaptation of Macbeth in rhyming form, which could be performed with a very simple set, or no set. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sassenach by Ronnie Dykstra |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
Run Time | Around 34 minutes. [Estimated!] |
Music | None. |
Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Screw Your Courage by Keith Badham |
Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 22. Minimum total without doubling = 26. Chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | A five-act play for youth theatre in one-act! |
Synopsis | An enthralling new look at Shakespeare's Macbeth, set in the modern world of teenage gang culture, which loses none of the power and excitement of the original. The Bard's plot and characters are given new life in this masterful interpretation as contemporary themes merge with age old human emotions. The audience are welcomed in to the action with imaginative use of asides and stage directions. An ideal piece for Youth Theatre with exciting and challenging opportunities for all involved, 'Screw Your Courage' provides a theatrical experience which will be long remembered. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Stop the Clocks by Keith Badham Performance by Up-Stage Theatre Company won Most Theatrical Moment and the Audience Appreciation Award at the Bedfordshire One Act Play Festival, 2011. Royal Manor Theatre won the adjudicators award at the Dorset Drama League Festival, 2013 |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 88. No chorus. The fifteen scripts have casts ranging from two to sixteen, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is seven. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
Synopsis | Fifteen short scripts: Introduction (Nominally sixteen roles) Death Of Innocence (Seven roles) Back to school (Eight roles) The Interview (Five roles) Twins (Three roles) And Lo (Seven roles) Monster Mum (Two roles) The Quest For Happiness (Six roles) Punch and Judy (Three roles) Knife Crime Horror (Two roles) The Priory (Two roles) We Three (Part One) (Six roles) The Teachers Are Afraid... (Two roles) We Three (Part Two) (Six roles) Death (Thirteen roles) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Tempest by Geoff Bamber |
Roles | Minimum Male roles = 9. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. The characters preserve Shakespeare's original, which means that the Naples court is all male. It need not be cast that way. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A play originally written by William Shakespeare and completely altered by Geoff Bamber. (This version is in modern, humorous. English. It extends the story back in time to avoid the long exposition speeches of Shakespeare's second act!) |
Synopsis | Prospero, Duke of Milan and part-time magician, is tricked into undertaking a hazardous sea journey by his treacherous brother, Antonio, who promptly takes over the duchy when Prospero is conveniently shipwrecked in a great storm. Prospero, along with his daughter, Miranda, survives the wreck and finds himself on a desert island. From there he uses his magic powers to gain revenge on Antonio and Alonso, King of Naples, who is unwittingly supporting Antonio under the influence of his own unscrupulous brother, Sebastian. With the principals all gathered on the same island, Prospero sets out to divide and conquer, a task somewhat hindered by the presence of a range of bizarre and possibly deranged supporting characters. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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