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Tony and Bee-ing Cleopatra by Fiona Scott Patrick |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Lindsay is dressed in a bumble bee costume with a Cleopatra wig. (Just in case you need a hint about the provenance of the strange title.) The cast includes four numbered tourists. Others might drift through! |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Fifteen-minute character-driven play, minimal set. (I realise that the residents of Edinburgh might be offended by the description of one of their streets as minimal, but it doesn't need to be a realistic set!) |
Synopsis | Lindsay is handing out flyers for her show at the Edinburgh Fringe, but she feels she's too old to be there - she's a serious actress. Then she meets Tony, a little drunk and recently dumped by her boyfriend, and the pair find a new enthusiasm for acting. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Tour In The Vaults by Olivia Arieti New |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 33. No chorus. |
Run Time | Around 3 minutes. [Estimated!] |
Music | None. |
Style | Short light-comedy/drama. |
Synopsis | A couple of tourists are waiting to take their tour in the city's vaults, unaware that the place is still haunted. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Twixt Heaven and Hell by Jack Burgess |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten-minute sketch. (Part of the Acting Funny collection of sketches.) |
Synopsis | The gatekeepers above and below argue about the disposition of new arrivals. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Two Barmen by Damian Trasler & David Lovesy |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The barmen are written male (as you might expect). The third characters is a duck. There are also two disembodied voices. |
Run Time | Around 4 minutes. [Estimated!] |
Music | None. |
Style | Short comedy sketch, set in a bar (which can be a minimal set or as elaborate as you can justify for a four-minute piece). |
Synopsis | You know the one where two men walk into a bar? Well, turns out it was this bar, where every baroom joke you've ever heard took place, along with quite a few you haven't heard. A duck walks into a bar and says 'Have you got any bread?'... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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UFO Hotline by John Passadino |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Two on-stage characters and three offstage voices, two of which might be recorded (Ellen would be better live). |
Run Time | Around 8 minutes. [Estimated!] |
Music | None. |
Style | Short sketch with two possible endings. |
Synopsis | Ron and Grace's second date is going well until a flying saucer lands nearby and the occupant begins to approach them. Attempts to call for help see them redirected to the UFO Hotline, which is not as useful as they'd hoped. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Ulysses and the Dogman by Gerald P. Murphy |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Ten-minute play. Single set (figurative New York street scene, 1910). |
Synopsis | A Westerner visits New York to look up an old friend - and finds him regretting the enforced changes of marriage and city life, such as his duty to walk the dog... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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We Have To Talk by Don Lowry |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. If the three scenes were to be played separately, the three couples could be played by the same pair of actors with changes of costume and style. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Short play comprising three short sketches on one theme. Written to be played continuously, but the three could be spaced out through an evening of short pieces. No set, so could be played front-of-curtain. |
Synopsis | Three relationships have reached the point where the couples need to talk. It's curtains for two pairs, but the third might just make it... even if it's for the strangest of reasons. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Wedding Party by Caroline Spencer |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Four adults (to be played by adults or teenagers). |
Run Time | Around 5 minutes. [Estimated!] |
Music | None. |
Style | Very short play. Single set, simple props. Part of the Emotions collection of shorts. |
Synopsis | An upper class couple are free with their opinions and distain at a friends' wedding and end up embarrassing themselves with their assumptions. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Windmills and Millstones by Louise Wade |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and the offstage voice of their author. |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | Short play, exploring the life of fictional characters in the great maybe - before they have been committed to the page. Contains mild swearing. |
Synopsis | Three characters wait in the mind of an author who has abandoned their stories. They are joined by a new character who doesn't know her name or story. They try to prepare her for her new existence, not knowing she knows more than she's telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Word with my Client by Barry Lambert |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Although the sketch is written with four male roles, with just minor adjustments Bland and/or Bentazza could easily be played as female. |
Run Time | Around 16 minutes. [Estimated!] |
Music | None. |
Style | A comedy sketch set in a police interview room. |
Synopsis | Detective Sergeant Hatchett has been assaulted whilst thwarting an attempted burglary and is about to interview the suspect along with his superior. The burglar has enlisted the help of a particularly slippery solicitor. Will he be able to convince the police of his highly dubious client's innocence? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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