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| Tricksilver by Rob Burbidge |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play based on a story by O. Henry - a tale of trickery and double-crossing. Two sets (or one composite set) plus front-of-curtain scene at a railway station. |
| Synopsis | As the twentieth century dawns, the United States of America is the land of opportunity. There are plenty of ways to make a quick buck, but the quickest and biggest bucks are made by the scam artists. Having a conscience is a bit of a handicap for confidence trickster Jeff Peters. He decides against the advice of his business partner to include a real woman in his marriage agency scam. Will he find out that women are the honest sex, or will he discover that a woman can be the equal of a man in dishonesty? Will he break the habit of a lifetime, and trust a bank? In this tale of cross and double-cross, who gets the loot? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twixt Heaven and Hell by Jack Burgess |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute sketch. (Part of the Acting Funny collection of sketches.) |
| Synopsis | The gatekeepers above and below argue about the disposition of new arrivals. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Barmen by Damian Trasler & David Lovesy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The barmen are written male (as you might expect). The third characters is a duck. There are also two disembodied voices. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch, set in a bar (which can be a minimal set or as elaborate as you can justify for a four-minute piece). |
| Synopsis | You know the one where two men walk into a bar? Well, turns out it was this bar, where every baroom joke you've ever heard took place, along with quite a few you haven't heard.
A duck walks into a bar and says 'Have you got any bread?'... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two For The Price Of One by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single (kitchen-dining room) setting. |
| Synopsis | Sarah is beginning to worry that her lorry-driver husband has a fancy woman in Coventry. Their daughter thinks 'augmentation' will help her keep a boyfriend, and Sarah wonders if it'll help her too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Grunts For Yes by Jessica McHugh |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | The producer's copy contains one suggested piece of background music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A short one act comedy, with some strong language. |
| Synopsis | Some college students return home with a few extra pounds, tattoos, or disappointing grades, but when 18 year old Irene McManus returns to her conservative southern household with her new boyfriend Tommy, things get messy between her and her mother, Delia. She doesn't disapprove of Tommy because he's ill-mannered or bad with words. The fact that he's dead, however, whips the prim matriarch into a frenzy. Can Irene convince her mother to accept her zombie boyfriend? Or will Delia convince her daughter that zombie boys are only after one thing: her brains? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| UFO Hotline by John Passadino |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Two on-stage characters and three offstage voices, two of which might be recorded (Ellen would be better live). |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch with two possible endings. |
| Synopsis | Ron and Grace's second date is going well until a flying saucer lands nearby and the occupant begins to approach them. Attempts to call for help see them redirected to the UFO Hotline, which is not as useful as they'd hoped. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ulysses and the Dogman by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play. Single set (figurative New York street scene, 1910). |
| Synopsis | A Westerner visits New York to look up an old friend - and finds him regretting the enforced changes of marriage and city life, such as his duty to walk the dog... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Up, Up and Away by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
| Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Variations by Peter Appleton |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two couples (otherwise no limitation on ages). |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One act play, single interior set, simple props. (Contains mild swearing) |
| Synopsis | Two couples are rounding off a nice evening with drinks and talk, but a story in the local paper changes the mood and secrets are uncovered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Wait... What? by Ted Evans |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing |
| Synopsis | An Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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