|
| We Have To Talk by Don Lowry |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. If the three scenes were to be played separately, the three couples could be played by the same pair of actors with changes of costume and style. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short play comprising three short sketches on one theme. Written to be played continuously, but the three could be spaced out through an evening of short pieces. No set, so could be played front-of-curtain. |
| Synopsis | Three relationships have reached the point where the couples need to talk. It's curtains for two pairs, but the third might just make it... even if it's for the strangest of reasons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| When The Hurly-Burly's Done by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Male cameo - offstage voice - could be pre-recorded. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedic play, with a 'blasted heath' setting. |
| Synopsis | Three very familiar hags are gathered around a cauldron on a blasted heath, but a certain Thane is running late. The ladies discuss their options and possible plans, before finally getting down to the business of the night. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Whose Baby? by John Collings |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy with a single (hospital waiting room) setting. Adult themes. |
| Synopsis | Three pregnant women from very different backgrounds have come for a routine check-up. As they wait to be seen, they discuss their various experiences whilst conceiving. One of them goes into labour, with shocking results. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Work Experience by Peter Harrison |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A gentle, enjoyable comedy. Easy to stage (in a single living room set) with a majority female cast. |
| Synopsis | Housewife Melissa is very fond of her daily routine, so when her husband Gerald takes early retirement, she’s increasingly irritated by his disruptions to it. With the help of her friends, she devises a solution which brings her own life-changing experience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Wrong Regulator by Barry Lambert |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy short in a single office setting. (Confusingly, the production notes include the features of a featureless office.) |
| Synopsis | A routine stocktake reveals that the numbers of one important and resource-hungry item have risen enormously to eight billion. The control room team must find a way to reduce the number. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| You Are What You Eat by Hugh Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | There is a suggestion for an extract from an out-of-copyright Music Hall song. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A funny, efficient, and easy to stage sketch. |
| Synopsis | A doctor has problems with a patient who has not responded to organic hummus and with another who has overdosed on Tuscan olives and sun-dried tomatoes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| You Will Go No More A-Haunting by Ray Lawrence |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 4. No chorus. Whilst the main characters are written 1M, 1F, the author would be happy if St. Gladys (the patron saint of bureaucrats) underwent gender reassignment. The two guards are non-speaking and only make a brief appearance. They are optional! |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, of puns and strange ideas about the afterlife. Single office set. Contains mild swearing. |
| Synopsis | Sir Thomas Pickington has been happily haunting the same spot for 500 years, but now he's up against the new HSE - the Haunting Safety Executive, and they have some different ideas about how he should be doing his haunting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| You Won't Know I'm Here by Dawn Cairns |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Three on-stage characters, two off (one of which - the voice of a newsreader - would probably be recorded, the other would be better live, being the unseen half of a phone conversation.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (living room) setting. |
| Synopsis | For the last thirty years there has been mutual antipathy between Sheila and her Mother-In-Law, Jean whose son John dotes upon her. Today is John and Sheila's thirtieth wedding anniversary and Sheila is looking forward to a special holiday. Jean, however has other ideas. The same characters also appear in a festive counterpart I Don't Think I'll Be Here Next Christmas. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|