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Grave Matters by Peter Stallard
Production by Carbost Village Drama Group garnered two trophies (Best Stage Presentation and Best Actor) at the Skye One Act Drama Festival, 2013 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The Grave Warden is written male, but could easily be played female. The two female parts could, conceivably, be doubled, but the effect of Mrs. Roberts' final entrance would probably be better with more time for make-up! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A ghost story told as a humorous one-act play. Single graveyard set, simple props. |
| Synopsis | A magistrate and a Police Sergeant stole a valuable chalice and hid the theft under the cover of arson committed by a local troublemaker. Now their souls are bound to the churchyard until they can restore the chalice. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Honorable Knight by Stewart Boston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
| Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
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| Awards | Click here to see the awards won by (productions of) this script. |
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| I Now Pronounce You by David Titchener |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Five on-stage characters plus the off-stage voice of a police officer (who might be recorded). |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in a single (living room) setting. |
| Synopsis | Eddie, Big Chris and Jono are preparing for the upcoming double wedding of Eddie to Trudy and Big Chris to Maureen, but they need to cut costs. Surely getting Jono to perform the ceremony couldn't backfire, could it? (The core characters appear in Flaming Liberty and The Next Big Thing. The pieces are independent, but could be used together.) |
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| Click here to read the script or Click here for more details. |
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| I Remember When by Dawn Cairns |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single camp-site setting. |
| Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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In Whose Eyes? by George Kappaz
New |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Justice Peter and Abaddon are written male and Gabriella female, but casting that way is not essential. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | The Producer's Copy for the script suggests a couple of pices to be played over the opening of two of the scenes. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama in a single, simple courtroom set. Historical images are intended to be projected during the show. The script has two endings, determined by the audience. |
| Synopsis | In a court where everything is at stake, the life and actions in the colourful career of Major Charles Derudio are challenged and defended. Are his reasons for the lives he has taken sufficient to earn forgiveness? His final destination hangs in the balance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Innkeeper's Christmas by Mike Sparks |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. An Innkeeper tells us of the frantic time he and his staff have had during the Roman Census in Judea. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. Single, minimal set, basic props. |
| Synopsis | An Innkeeper tells us of the frantic time he and his staff have had during the Roman Census in Judea. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Inspector Snow and the Elf-Inflicted Wounds by Skip Chalker |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act Christmas story for children with various simple settings. US English. |
| Synopsis | Inspector Snow and Sergeant Merryman are back on the case, hunting the killer of not one, but two Mall Santas. Before the killer can strike for a superstitiously crucial third time, Snow and Merryman must catch them! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Interrogation by Louise Wade |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act political drama set across three simple interrogation rooms. |
| Synopsis | Three different people are being interrogated at different points in time by different interrogators, all because of crimes related to their political beliefs. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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