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For Your Tomorrow by Peter Ayre |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Gallery by Stewart Boston |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Structurally a two-act play (but classified as a one-act on the grounds of length), single art gallery setting, satirising thepretentions of the commercial fine arts world. |
Synopsis | An unscrupulous Art Dealer has a young artist foisted on him by a work programme, but soon turns the situation to his advantage when a misunderstanding makes the artist an overnight sensation. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
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The Gardener's Tale by Mike Sparks |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 7. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | Modern version of a medieval mystery play. One-act play, eight scenes, but no specific set requirements. A few simple props (including a wheelbarrow). |
Synopsis | A gardener from Jerusalem tells her story of Holy Week and the odd bunch of characters she has run into. All of them have tales to tell about 'that Nazarene who's been causing so much trouble.' The story covers the time from Palm Sunday through to the burial of Jesus. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Ghosts of Halfway House by Richard James |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | A halloween play (or a play for whenever else you want a ghost story). Single set. Contains very mild swearing. |
Synopsis | Simon and Daphne are looking around an old house, with Simon's mother in tow. They aren't convinced it's the right place for them, and Mr Godley the estate agent is unusual. They're in for quite an evening before they find out more than they expected about the house and its history. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
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The Giant Wolverine by Nicholas Richards |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy drama set in Canada, therefore in a mix of English and French (with a smattering of the local Ya'ma'kawa'ya language) |
Synopsis | The town of Windshock (as represented by a handful of people in Greg and Meg's, a bar on the edge of town) is surprised to learn from two visiting employees of ExCav, a mining company that large deposits of a valuable mineral ore, Rupertite, have been found in the Clearview Hills nearby. This leads to tesions between those who might benefit from change and those who want to preserve the pristine environment. There's also the local legend of a dangerous wild beast - The Giant Wolverine. This is not taken seriously - until strange howls are heard outside the bar... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Girls' Talk by Frank Gibbons |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 12. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A collection of six comedy sketches, each with a cast of two women. |
Synopsis | Sketches tackling the difficulties of office life, men, gossiping and more men. (Each of the sketches is available individually.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Give Us A Sign by Tony Domaille Best Seller NODA South West Best Comedy nomination 2022. Octopus, Thornbury. |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. One (gender non-specific) character is voice-only and could be pre-recorded. |
Run Time | Around 107 minutes. [Estimated!] |
Music | None. |
Style | Full-length comedy on a single (dining room) set. |
Synopsis | Ken is out of work and decides he will become a clairvoyant to make money. How hard could it be? What he doesn’t reckon on is MI5, the Russians and the Americans all wanting to use his skills to contact a dead scientist who has secrets they all need. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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A Gladiator In The House by John Waterhouse |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | A full length comedy (reminiscent of a Restoration Comedy) with various settings in Ancient Rome designed to be created simply (even in the round). |
Synopsis | Ancient Rome is brought to life as the love affair between escaped gladiator, Marcus, and Livia, daughter of high ranking citizen Gallus, develops despite the efforts of gladiator owner Proculus and the lecherous banker Carus. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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God's Minstrel by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Going Underground by Christopher Morgan Awarded the George Taylor Memorial Award as winner of the 2005 One Act Playwriting Competition of the National Drama Festivals Association |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single set - the interior of an underground train. Simple props. |
Synopsis | Seven travellers on the underground with a series of overlapping stories. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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