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| Waiting in Soho by Christopher Morgan |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act play with a single bar-room set. An ensemble piece with seven overlapping stories. Contains a range of adult themes. |
| Synopsis | A disparate group are sharing space in a Soho bar at the weekend - their only common ground. Through voicing streams of overlapping thoughts, they open up and reveal the experiences that brought them to where they are. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Was Blind But Now I See by Howard Lipson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Short skit, telling and examining a well-known fable from a Christian perspective. No set requirements. |
| Synopsis | Five blind people encounter a curious object and work together to find out what it is, while a sighted pair react differently. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Don’t Like To Be Beside The Seaside by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Six on-stage characters plus a radio announcer (who could be recorded). |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with a single main-stage set and occasional action in other places, set in downstage areas. |
| Synopsis | It's an annual event for three married couples to take a cottage by the sea. One couple drops out at the last minute. But they have found two younger unattached women to take their place. Things get complicated when it turns out the newcomers may be unknown to the wives, but not to the husbands. The question is, by design or destiny? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Wedding Day by John F. Glen
Performance by Thurso Players won two trophies and came second overall in the SCDA Caithness Adult Festival of One Act Plays, Feb 2008 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Range of ages - three adult generations of one family. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple set (two pieces of furniture - so easy to stage as a competition piece). Contains mild swearing. |
| Synopsis | Annie, elderly matriarch of a family, looks back on a long life on the day her granddaughter gets married. She recalls the wedding of her daughter and her own wedding day, as well as some sadder memories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What If It's True? by Peter Marshall and Mark Seaman |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. Chorus. Four principal characters plus chorus (so the minimum of 6 would use a very small chorus, where larger would be preferable). |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | The producer's copy of the script comes with piano/vocal scores to 11 original songs. |
| Style | One-act musical with a very direct Christian message. No real set requirements - a few stage blocks plus a few props to indicate locations. |
| Synopsis | Chris and Kathy Blake are a young couple who embark on married life together with all its traditional demands. Like so many others, they feel that together they are invincible and secure from the challenges and temptations of the outside world. For a while they get on with their new roles of Mr and Mrs, eventually starting a family and not looking beyond their own immediate comfort and needs. However, when their relationship comes under pressure through Chris's excessive social drinking and infidelity the cracks begin to show... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Soundtrack CD - vocal performances of songs from the show
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| Click here to read the script or Click here for more details. |
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| Will at the Tower by Pete Hartley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. Five principals plus a chorus of singers. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | The dialogue is interwoven with multiple instances of five original songs. |
| Style | Period drama. Minimal set requirements. |
| Synopsis | A story (based on a local tradition) of Catholicism in the reign of Elizabeth 1st. The Jesuit priest, Edmund Campion pays a clandestine visit to Hoghton Tower in Lancashire with a young Will Shakespeare in tow. They observe the life of the house as the new lady of the manor tries to marry off the daughter of the previous lord. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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Window Pain by Patricia Gay
Performance by Buccaneer Theatre won the Douglas Hunter Rose Bowl in the Moray Firth District round of the 2023 SCDA one-act drama festival. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A bitter sweet comedy with a single setting. |
| Synopsis | Brenda sits at her window, all morning, all afternoon and in the lighter summer evenings. She knows what the neighbours get up to, and all their secrets. But her neighbours have their own stories to tell, and those stories are very different to any of Brenda’s preconceived ideas. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Yard Sale by Michael Paul |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Two main characters plus six others who could be played by two people. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, single set. |
| Synopsis | Mark and Julie are holding a yard sale, but having strangers rummaging through their possessions brings some darker thoughts and feelings to light, and it's not long before their marriage is at crisis point. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Can't Take It With You by Cheryl Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. The solicitor is named Sam and could be Samuel or Samantha. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a blend of pathos and mirth. Single domestic set (from which most of the furniture and effects have been removed!) Contains mild swearing. |
| Synopsis | Expecting a windfall bequest after their 'beloved' Uncle Fred's death, avaricious sisters Carol and Pauline descend on his house to claim the spoils. Their hopes are dashed when they discover that someone has beaten them to it and the house is empty. The will reading increases their frustration as their bequests fail to meet expectations. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Have Reached Your Destination by Tony Best |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | The producer's copy of the script contains suggestions for seven intermission pieces. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act comedy (could be used as a short two-act) packed with unexpected delights. |
| Synopsis | Two women work at a company that provides a sat-nav service, with the unexpected revelation that they are the voices of the sat navs. A complicated day for the pair involves French and Spanish translations, unexpected detours and a violent confrontation. Their customers include a doddery old lady who can't find the end of the street, a man who 'doesn't need the Satnav' and his daughter who has recently undergone an unfortunate experience on social media. There's also a young man who insists on using the latest 'exaggerated accents' app, all of which Tracey has to supply, and a customer who needs to be spoken to in French (only Tracey doesn't know any). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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