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All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
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Scripts 191 to 200 of 512
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The Ghosts of Marvin Grange by Richard Coleman
RolesMinimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 20. No chorus. Principal characters nominally adults but could be played by teenagers or a mixed group of teenagers and adults.
Run TimeAround 65 minutes. [Estimated!] (Dependent on how much the actors ham up the death scene!)
MusicNone.
StyleMelodrama - with the playwright's tongue firmly in his cheek. (Two acts - but relatively short.)
SynopsisChristopher Sinclair receives a strange summons and returns to Marvin Grange, a remote estate on a lonely moor to unravel the mystery of a haunting that is driving his cousin's wife mad...
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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The Girls Are Back in Town by Jonathan Edgington
RolesMinimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 12. No chorus.
Run TimeAround 53 minutes. [Estimated!]
MusicOne public domain song is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script.
StyleA one-act drama set in both the present day and WW1. Seven different settings, though all can be portrayed with minimal furniture.
SynopsisFour iconic suffragettes are mysteriously transported to modern-day London to finish what they started. 100 years earlier, as Alan learns the horrors of life on the Western Front, his girlfriend Beatrice carries out important work for the suffragettes.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Girls' Talk by Frank Gibbons
RolesMinimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 12. No chorus.
Run TimeAround 25 minutes. [Estimated!]
MusicNone.
StyleA collection of six comedy sketches, each with a cast of two women.
SynopsisSketches tackling the difficulties of office life, men, gossiping and more men.
(Each of the sketches is available individually.)
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

God's Messenger Department by Bill Siviter
RolesMinimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 16. Minimum total without doubling = 19. No chorus. Option for more animals to be added to the stable tableau.
One of the characters is a star. Well, they're all stars, but you know what I mean.
Run TimeAround 15 minutes. [Estimated!]
MusicNone.
StyleIrreverent approach to the nativity (the story is all there, but the perspective is unorthodox!). Likely to appeal to older children rather than the youngest element normally associated with such plays.
SynopsisThe Archangels are all relaxing in their common room when they get a call from the Boss... There are messages to be delivered, to Joseph, Mary and the three kings. Not to mention the shepherds in the fields too - Gabriel has to put down his Nintendo and get busy!
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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God's Minstrel by Joseph P. Ritz
RolesMinimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional.
Run TimeAround 70 minutes. [Estimated!]
MusicNone.
StyleYou can think of this either as a short two-act play, or a long one-act play. Single set.
SynopsisMixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Goldilocks, Three Bears and the Detectives by Juliet Devon
RolesMinimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus.
Run TimeAround 70 minutes. [Estimated!]
MusicNone.
StyleFamily show, structurally in two acts, but run-time on the boundary between one-act and full-length. (Could be expanded with songs at the discretion of the production.)
SynopsisThe Bears' cottage has been ransacked - porridge eaten, furniture wrecked, and someone looking a lot like Goldilocks fled the scene when the Bears came home. But is she really guilty? The detectives investigate.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Good King Richard by Ian Dixon Potter
RolesMinimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus.
Run TimeAround 108 minutes. [Estimated!]
MusicNone.
StyleA full-length historical drama. (A lot of locations, but simple to stage, give or take the butt of malmsey.)
SynopsisAfter the death of Edward IV, his brother Richard becomes Lord Protector and then King. Richard III is determined to be a good king, but his principles - out of place in the royal court - enable challengers including Henry Tudor to plot his downfall. A counterpoint to Shakespeare's Richard III (which was based on the testimony of Richard's greatest enemy), Good King Richard sets the historical record straight.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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The Goodbridge Million by Sean Dooley
RolesMinimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus.
Run TimeAround 80 minutes. [Estimated!]
MusicNone.
StyleFull-length comedy play. One set, split between three distinct locations.
SynopsisAfter years of discussing the same old issues, the Parish Council of the hamlet of Goodbridge is suddenly handed the amazing news that a foreign benefactor is giving the village one million pounds to be spent according to the villagers' wishes. The councillors organise a meeting to allow people to present their proposals for the use of the money, then hold a secret ballot. Unfortunately for the nursery extension, the sports hall and the new church organ, there is an outbreak of tactical voting and the proposal to host the world Scrabble championships wins by a landslide. But never mind all that - the important questions are: can Will ever pluck up enough courage to ask Persephone to marry him? and how will his school play turn out?
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Green Things in Space by Paul Gisby
RolesMinimum Male roles = 5. Minimum Female roles = 7. Minimum total with doubling = 12. Minimum total without doubling = 14. No chorus. In addition to the on-stage characters, two people appear on video and there are several voice-overs.
Run TimeAround 105 minutes. [Estimated!]
MusicNone.
StyleFull-length play. Simultaneously comic and poignant. Stage (and action) split between a modern hospital and the deck of a sci-fi spaceship!
SynopsisStan is in hospital, suffering from the effects of years of working with asbestos, but he lives on in his unpublished science fiction epic - an unintentionally hilarious account of a galactic war.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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A Grimm Night for Hans Christian Andersen (Musical) by Sue Gordon
RolesMinimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 23. Minimum total without doubling = 40. No chorus. Lots of speaking parts, but few characters per scene so easy to structure small rehearsals. Whilst it does not require a chorus, there is scope for extra characters in a few of the scenes. Some of the characters sing!
Run TimeAround 90 minutes. [Estimated!]
MusicSheet music for 7 original songs and 3 pieces of incidental music is provided with the producer's copy of the script.
StyleComic retelling of fairytales as a musical play. Many scenes, but using the same few pieces of 'set furniture'. Simple props.
SynopsisHans Christian Andersen gets an unexpected visit from the Brothers Grimm - who seem to be upset over the matter of stealing story lines. A competition ensues, with characters from Andersen and Grimm stories taking the stage - often in unexpected ways.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
ExtrasThe following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** Backing tracks of songs from the show as MP3 files
** Soundtrack CD - vocal performances of songs from the show
** Backing tracks for the 7 songs and 3 pieces of incidental music for 'A Grimm Night for Hans Christian Andersen'
** Vocal tracks for the 7 songs (plus 3 pieces of incidental music) for 'A Grimm Night for Hans Christian Andersen' by Sue Gordon. (Arrangements by Dave Watt, vocals by Leanne Cooper and, Jonny & Stuart Ardern. Recordings by Dave Watt and Jonny Ardern.)
** A zip file of backing tracks for the 7 songs and 3 pieces of incidental music for 'A Grimm Night for Hans Christian Andersen'
** Vocal tracks for the 7 songs (plus 3 pieces of incidental music) for 'A Grimm Night for Hans Christian Andersen' by Sue Gordon. (Arrangements by Dave Watt, vocals by Leanne Cooper and, Jonny & Stuart Ardern. Recordings by Dave Watt and Jonny Ardern.)
FeedbackClick here to find out what other customers said about this script.
Click here to read the script or Click here for more details.

Scripts 191 to 200 of 512
11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30  16 17 18 19 20 21 22 23 24 25 

Narrow your search within this results set:

 
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