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A Grimm Night for Hans Christian Andersen (Play) by Sue Gordon
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| Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 23. Minimum total without doubling = 40. No chorus. Lots of speaking parts, but few characters per scene so easy to structure small rehearsals. Whilst it does not require a chorus, there is scope for extra characters in a few of the scenes. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Comic retelling of fairytales - many scenes, but using the same few pieces of 'set furniture'. Simple props. |
| Synopsis | Hans Christian Andersen gets an unexpected visit from the Brothers Grimm - who seem to be upset over the matter of stealing story lines. A competition ensues, with characters from Andersen and Grimm stories taking the stage - often in unexpected ways. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Guest House by P. B. Stenson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 16. No chorus. Fifteen on-stage roles plus an offstage voice. |
| Run Time | Around 87 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play in a single bedroom set. An episodic structure (because all the guests can't occupy the same bedroom at the same time.) |
| Synopsis | Clara and Will have bought the Guest House at Number 13, a new business venture for them. They find that there is a lot of on-the-job learning to do - for example, they have to decide what to do with the stash of old twenty pound notes in the hidden wall safe, not to mention the peculiar behaviour of their guests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Happy Christmas Shirley by Louise Roche |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 13. Minimum total without doubling = 14. No chorus. Characters are adults, with a broad range of ages. The Auxiliary (who appears in two scenes) might double with Peggy. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play (and tear-jerker) about a family Christmas. Single set (divided, largely by lighting, into several playing areas, for which there are stage diagrams in the Producer's copy of the script). |
| Synopsis | It's Christmas Eve and the outside of Shirley's house looks like the Blackpool Illuminations. Inside, everything is ready and Shirley is determined to have the perfect Christmas day. But will she be able to keep a lid on family feuds? Will grumpy Nan go too far this year? Will heavily pregnant daughter Donna give birth? And how on earth will Shirley react when her other daughter tells her she has invited a lonely old man to share their Christmas dinner? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hats Off! - The Musical by Sue Gordon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 9. Chorus. A nucleus of seven actors, backed by a chorus (with no size limitations) singing the songs. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | Sheet music for seven songs (original lyrics to Victorian period music) is supplied with the Producer's copy of the script. |
| Style | Musical for children (could also be staged by adults for kids). Whilst by length we would class this as a one-act play, it is split into two acts and an interval is advised so that the single set can be redressed to mark the passage of time! |
| Synopsis | Mrs. Green is the real driving force behind 'Barker's Bonnets' a milliner's shop in Victorian England. However, she faces unemployment when Mr. Barker sells up to emigrate. A secret scheme is hatched to allow her to continue - and to thrive in the modern world of the 1870s. (The script tells an engaging story whilst exploring the novelties, inventions and social nuances of the Victorian world. This would fit well with the English National Curriculum Key Stage 2 History Topic, 'The Victorians'.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| The Haunted Cabin by Matthew Lynch |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A tense ghost story in two acts and a single set. |
| Synopsis | When Emily, Joe and Danny stumble across the isolated cabin on Shantler's Peak all is not as it seems. Strange noises and sinister apparitions plague the stranded inhabitants, who desperately seek a rational explanation. Will they survive the storm until help arrives, or just become the new eternal residents of the haunted cabin?
A sinister play with a twist that will fool your audience right to the end - one of the characters is a ghost and cannot be seen or heard by any of the others. He appears to be speaking to them, when in fact he is not. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Haunted Haunting by Herb Hasler |
| Roles | Minimum Male roles = 8. Minimum Female roles = 7. Minimum total with doubling = 14. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 106 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy with a single setting. |
| Synopsis | Two spirits, Mona and Edgar are bemused as to the manner of their deaths. Medium Mona uses her skills to summon up a host of oddball spirits to try to find the answer. Meanwhile a new family move into the house and many confusions ensue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Heart-Shaped Cushion by Louise Wade |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 21. No chorus. The patients can be any age from about thirty-five to sixty-five. Beth and Tom should be about the same age. Doubling and trebling-up is possible with a minimum of one man and six women |
| Run Time | Around 67 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama following a patient's experience with breast cancer, through chemo and physiotherapy, to exiting the treatment. |
| Synopsis | Along the way we meet people dealing with similar experiences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Heksejag by S. Ardern (vertaal deur Ronèl de Beer) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Minimum mansrolle = 4. Minimum vrouerolle = 2. Minimum totaal met doeblering = 12. Minimum totaal sonder doeblering = 14. Koor. Alle karakters is volwassenes, maar die teks is geskryf vir tieners. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | 'n Eenakter met basiese rekwisiete en geen dekorvereistes nie. Baie koorwerk. |
| Synopsis | Wanneer 'n ou tannie in haar gehuggie intrek, word sy eers met vyandigheid begroet. Mettertyd veroorsaak haar kennis van natuurlike medisyne egter dat sy die gemeenskap se respek wen. Die moeilikheid begin wanneer siektes en hongersnood uitbreek en die ou tannie van heksery beskuldig word. (Heksejag is an Afrikaans translation of Witch Hunt by Stuart Ardern.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hello, Nice To Meet You, Goodbye by Ashley Harris |
| Roles | Minimum Male roles = 6. Minimum Female roles = 9. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. Cast size can be reduced to six with doubling and costume changes! |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act, large-cast comedy. |
| Synopsis | Various hilarious characters populate a fly-on-the-wall look at a speed dating evening. Gerald decides that a detailed account of his recent cricket match is the best way to woo a partner. Bryan delves into his recent toenail extraction to engage Beth before appropriately asking if she would like to eat. Whilst Alix is eager to find a man to test her martial arts skills on whether he wants her to or not. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Henry V Revisited by David Baldwin |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 23. Minimum total without doubling = 39. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A full length revised version of the Shakespearean play. |
| Synopsis | Shakespeare's famous play about the battle of Agincourt is updated, and Chorus reveals and explains the historical facts. The essentials of the original play are covered and the 'St. Crispin's Day' speech is retained unaltered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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