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| A Knight to Remember by Johnny Jarman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 135 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length farce on a single (hotel suite) set. |
| Synopsis | Sir Ronald is going to accept a Lifetime Acting Achievement award, if he can learn his speech in time. But sadly for him, his night is going to be full of interruptions from all kinds of people - and even his own murky past! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ladies' Room by Philip and Steven Schwadron |
| Roles | Minimum Male roles = 1. Minimum Female roles = 12. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | Suggestion for one optional musical outro. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act play for an all-female cast of high school actors. Some strong language and adolescent themes. |
| Synopsis | It's Prom night, but the Ladies’ room is seeing some brisk traffic as the girls take a break from dancing with their partners, and just the Prom itself. By the end of the night, hearts are broken, revealed and shared. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Lady or the Tiger by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 15. Chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play adapted from Frank Stockton's short story. Simple props. |
| Synopsis | The Princess's lover is on trial for his life. She can save him from certain death, but would the alternative be worse? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Lambton Worm by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | A 40-page musical score is included with the Producer's Copy of the script. |
| Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
| Synopsis | The tale of the wild worm of Wearside and its grisly end.
It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.)
** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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| Click here to read the script or Click here for more details. |
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| Language Lessons by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
| Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Séance by Herb Hasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 85 minutes. [Estimated!] |
| Music | None. |
| Style | A slick farce with a single domestic set. (Nominally in the USA, but could work in any location.) Contains mild swearing. |
| Synopsis | A family-operated séance scam is laid out before us. Attempts to conceal the swindle lead to a number of surprising twists amid frenetic action. The final startling twist of the play reveals to us - and the family - why this must be the last séance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Train to Sleepy Hollow by David Pemberton |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 15. Minimum total without doubling = 19. Chorus. Variable Chorus size at the Producer's discretion. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | Music and song suggestions for eight pieces are provided in the Producer's copy of this script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy spoof play, with music, in various settings. |
| Synopsis | When Arthur is summoned by his Godmother to exorcise her house of spooks, he discovers a dastardly plot to frighten her off her valuable real estate. In the ultimate battle of innocence against the powers of darkness, Arthur destroys the black heart of the Bigwitch, finds true love, restores Spooky Hollow to his Godmother and catches the last train home! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lennon and Buddy by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on two (living room/backstage) sets. |
| Synopsis | Buddy Holly and the Crickets perform at the London Palladium, and in Liverpool, John Lennon sees the performance on a friend’s TV set. He boasts that his band will surpass Buddy Holly. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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