|
| Pride, Prejudice and Other Useful Qualities by Geoff Bamber |
| Roles | Minimum Male roles = 5. Minimum Female roles = 10. Minimum total with doubling = 15. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, in which Geoff Bamber exacts a gentle revenge on Jane Austen. In theory, there are multiple settings, but it is remarkable how similar Longbourn and Netherfield look... |
| Synopsis | The Bennet sisters are shopping their father into penury. He needs to marry them off (preferably without an expensive wedding.) There's Mr Bingley who's keen on Jane, Mr Collins who is keen on anyone who'll have him (which seems to limit the field), Captain Wickham, a military cad, and Mr Darcy who seems to be intent on making trouble or making whoopee (possibly at one and the same time). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Prince and the Pauper by Mark Twain adapted by Peter Bond |
| Roles | Minimum Male roles = 6. Minimum Female roles = 1. Minimum total with doubling = 17. Minimum total without doubling = 31. Chorus. The vast majority of the characters are written male, but need not be played that way. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | The producer's copy of the scripts includes suggestions for up to 19 songs (with original lyrics to well-known tunes).
However, the songs are optional - the piece functions equally well as a play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Full-length play/musical. A family show, written for performance by a youth theatre company, but could be a mix of adults and children. |
| Synopsis | A faithful adaptation and well crafted dramatisation of the classic novel by Mark Twain, The Prince and the Pauper is a musical play suitable for secondary schools or Academies specialising in the performing arts. As well as historical interest it provides a challenging project for producing, directing, acting and technical disciplines in school or community settings |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Princess Bigfoot by Bob Heather |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act family play, based on real characters circa 750 AD (though incorporating folk tales). |
| Synopsis | In 8th Century France an identity theft scheme to usurp the Princess Bertha from her position as the wife of King Pepin is thwarted by that famous pair of investigators: Messrs Hercule and Poirot - as well as by the Princess’s shoe size. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Princess For Christmas by Jeff Bray |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 11. Chorus. 7 actors, with a choir of 3-4 singers. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy with a single retirement home setting. |
| Synopsis | Grumpy old widower Reg gets the shock of his life when his ex-mistress Diane, who he abandoned many years ago, is admitted to the Retirement Home After a stormy beginning and with the tender help of the staff and other residents, they are able to rekindle their relationship. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Prisoners' Dilemma by Matthew Lynch |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Six main characters and four cameo roles. |
| Run Time | Around 71 minutes. [Estimated!] |
| Music | None. |
| Style | A drama in two scenes, which could be played as two acts - making it a full length piece, with a single (prison cell) set. |
| Synopsis | A disparate group of strangers are locked in a prison cell, not knowing the reason for their incarceration. They are all put to the test through a series of challenges, some of which could be lethal, and finally seem able to benefit - from finding their inner selves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Problem In Judaea by Stewart Boston |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 12. Minimum total without doubling = 13. Chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Easter play. Structurally in two acts, but of one act length. Three sets, but designed for minimal staging. |
| Synopsis | A minimalist retelling of the events surrounding the Crucifixion, told from the point of view of Pilate, the Sanhedrin and Herod. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Purse by E. Bert Wallace |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act commedia dell’arte play on a single (village square) set. US English. |
| Synopsis | In a small Italian town in days of old, Arlecchino, a happy but none-too-bright servant, tries to keep the peace between his miserly master, Pantalone, and Dottore, a tipsy scholar. Dottore’s son Fabrizio returns from the University and promptly falls in love with Pantalone’s beautiful young wife, Isabella. Meanwhile, the bragging Capitano and his villainous sergeant Brighella arrive, seeking to con the town. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Pursuit Of Perfection by Anna Tyrie |
| Roles | Minimum Male roles = 5. Minimum Female roles = 9. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | A one act fantasy play |
| Synopsis | Told through the eyes of twins and their mother, the play examines prejudice - set in an Orwellian world in which the 'natural crop' becomes dominated by those of 'perfect' genetically modified breeding. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Puss in Boots [Short Version] by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 13. No chorus. Includes a cat and an ogre, so nothing out of the ordinary. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy (not really a pantomime treatment, though this is frequently a panto subject). Several different locations, but no real set requirements, so can be staged very simply. |
| Synopsis | Jack, the Miller's youngest son, finds himself cast out when his father retires and hands over the business to his other two sons. With only a burning ambition to be a magician, a dream of marrying a princess and his cat for company, he sets out to make his fortune. After an inauspicious start to his great adventure, a misfiring trick results in the cat being far more useful than Jack could ever have imagined. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Putting it About by Sue Gowers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 7. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy. A single-set British farce, complete with multiple practical doors, behind which lurk multiple practical (and emotional) problems! |
| Synopsis | Though married, Danny is keeping a harem of ladies on the boil, including his step mother in-law. They all arrive at the house on the same afternoon, and he manages to keep them separate until his younger brother Matt arrives to throw a spanner in the works. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|