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Urban Hymns by Keith Badham
Performance by Up-Stage Theatre Company won Best Youth Actress award in the Bedfordshire One Act Play Festival, 2011 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 65. No chorus. The nine scripts have casts ranging from two to twenty, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is six. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Nine short scripts:
Introduction (Nominally twenty roles)
Bittersweet Symphony (Seven roles)
The Drugs Don't Work (Four roles)
Sonnet (Four roles)
Juliet (Two roles)
Romeo (Two roles)
There Is A Light That Never Goes Out (Five roles)
24 Minutes From Tulse Hill (Six roles)
Lucky (Nominally 15 roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Vanity of Dorian Gray by Valerie Goodwin |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 11. Minimum total without doubling = 20. Chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | The producer's copy of the script includes suggestions for 5 (public domain) songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Seventy-five minute adaptation of the Oscar Wilde novel, peppered with Victorian and Edwardian music hall songs and comedy. |
| Synopsis | The hedonistic young man Dorian Gray makes a wish that his portrait would age instead of himself, and the wish comes true. He takes advantage of his eternal youth to court and then dispose of a never-ending line of young women, but four decades later, his sins catch up with him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Varadachary's Annotated Chess Masterpieces by Vithal Rajan |
| Roles | Minimum Male roles = 10. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 44. No chorus. Characters include Gandhi, Tolstoy, Fidel Castro, Marcel DuChamp, Humphrey Bogart, Lauren Bacall and Napoleon! |
| Run Time | Around 230 minutes. [Estimated!] |
| Music | None. |
| Style | A combination of Indian storytelling and chess! Simple props, but needs a means of displaying the chess moves to the audience. |
| Synopsis | A cycle of 11 one-act plays, linked by the character of Ramanujan Varadachary, an old Indian story-teller - who uses the chess games as allegories for discussions about, art, ethics, politics, love and revolution! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Very Roman Family - 235 AD by Roger Hodge |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 19. No chorus. The eight minor roles can be shared by two actors. |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | Bawdy Roman farce! Contains a tiny amount of mild swearing (and lots of innuendo). A single set is implied - the courtyard of a Roman home in 235 AD.
Originally published in 2010, revised 2015 |
| Synopsis | Titus Rambus is a senator, who intends to become emperor by means of assassination. He has chosen Formaggius Vastus to be the assassin in the mistaken belief that Formaggius, a seller of asses, has a brilliant army record. As if that were not bad enough for Formaggius, Emperor Severus has learned of the plot - but not the intended assassin - and he too engages Formaggius to bump-off his rival. Not only that, but Formaggius learns that after the deed the assassin will not survive for long. Can Formaggius save himself and his diverse family? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Voices by Peter Harrison
2012. Hale One-Act play festival. Winner Best Original play. Production by Altrincham Garrick. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 16. No chorus. Designed for one principal character and four on-stage voices, though the voices could be allocated amongst a larger number of actors.
The principal character is an old man, nevertheless, this could be played by a youth theatre company. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | The producer's copy of the script makes suggestions for accompanying music/songs. (For atmosphere, rather than live performance). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play, set in the mind of the principal character, with other roles voiced but not interacting directly with him. |
| Synopsis | A veteran soldier finds himself trapped in his own flat, facing an imagined enemy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Voices On And Off by Pat Edwards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. Chorus. The Inner Voices characters may be offstage, but also could appear on stage. Claudia and Percy have actions rather than words. The Chorus do not speak or sing. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy, with quick scenes, and two simple settings. |
| Synopsis | Terry and Ceri are members of the local amateur dramatic society and soon become attracted to each other. Their blossoming relationship is helped, although sometimes hindered, by their inner voices which continue throughout the action. And then there is Claudia... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Wakefields at War by Tom Mather |
| Roles | Minimum Male roles = 10. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 23. No chorus. Characters are mainly adults, but include three children (who age two years from 9, 10 and 12 during the course of the play). |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in three acts with multiple settings depicting the horrors of World War One through its effect on one family. |
| Synopsis | The true story of the Wakefields, an ordinary Lancashire working class family whose three eldest sons were all killed in action fighting in the First World War. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| War Prayer by Mark Twain adapted by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 9. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. No specific set requirements and only one prop (a rope). |
| Synopsis | Mark Twain was no pacifist, but here he brings an angel to explain to a congregation the difference between a just war and Jingoism. (Human frailty prevails.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Are The Cure by Trevor Suthers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length dystopian thriller with a single (schoolroom) setting. Ideal for youth theatre. |
| Synopsis | A group of teenagers, subjects of a genetic experiment raised to believe they possess a cure for the plague that is raging through global society, escape from their compound during a cataclysmic flood. They come upon a ruined school and are amazed to find two normal children sheltering there. As surviving staff from the compound seek them out, they help each other in their desperate situation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Weir of Hermiston by David McVey from Robert Louis Stevenson |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. Chorus. Characters are adults, plus one boy with a playing age of around 10, as the young Archie Weir. The chorus (non-speaking townspeople, servants, etc.) is optional. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, focusing on the relationship between Archie Weir and his tyrannical father. Adapted from an unfinished novel by Robert Louis Stevenson. Uses broad Scots (though omitting the less fathomable language from Stevenson's draft.) |
| Synopsis | Archie Weir is the son of the Lord Justice Clerk and in training to be a lawyer himself, though he is fearful of his hard father. Following advice from a family friend, Archie watches a trial held by his father and is horrified at the old man's apparent glee at hanging the poor wretch. He speaks out in public against the death penalty and is exiled to the family's country estate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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