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Waiting for the Unicorns by Gill Medway |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 14 minutes. [Estimated!] |
Music | None. |
Style | Short comedy, requiring little more than a clipboard, a large rock and two actors. (The two animals of every kind are optional.) |
Synopsis | Noah seems very well organised. He's built the boat thing, all the animals are more or less in alphabetical order, and he's got a list. All that's missing are those infuriating unicorns. Fortunately, his wife has the good sense to grasp the concept of myth and legend. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Waiting for Twist Stiffly by Damian Trasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act play which takes place on the set of a 1950s science fiction serial, but is really about actors and their relationship to their characters. |
Synopsis | Filming of the 1950s adventure serial 'Twist Stiffly - Space adventurer' is being held up because the leading man is nowhere to be found. While the remaining cast members lounge around waiting for him to turn up, they discuss their roles in the drama and their dissatisfactions with the main man. Then they come up with a great way to fill their time until he arrives... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Waiting in Soho by Christopher Morgan |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | One act play with a single bar-room set. An ensemble piece with seven overlapping stories. Contains a range of adult themes. |
Synopsis | A disparate group are sharing space in a Soho bar at the weekend - their only common ground. Through voicing streams of overlapping thoughts, they open up and reveal the experiences that brought them to where they are. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Wake All Night by Mike Warrick |
Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
Run Time | Around 142 minutes. [Estimated!] |
Music | None. |
Style | A spooky full length comedy with a single set. |
Synopsis | The enigmatic Sir Roger Laughton has died, and following his funeral, several select guests are invited to try and spend the night at his haunted mansion. But why these guests? There’s more than deception being practiced tonight. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Wakefields at War by Tom Mather |
Roles | Minimum Male roles = 10. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 23. No chorus. Characters are mainly adults, but include three children (who age two years from 9, 10 and 12 during the course of the play). |
Run Time | Around 100 minutes. [Estimated!] |
Music | None. |
Style | Drama in three acts with multiple settings depicting the horrors of World War One through its effect on one family. |
Synopsis | The true story of the Wakefields, an ordinary Lancashire working class family whose three eldest sons were all killed in action fighting in the First World War. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Walk on the Wild Side by Cheryl Barrett |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 5 minutes. [Estimated!] |
Music | None. |
Style | A short monologue with minimal set requirements. |
Synopsis | Mary is feeding the birds in the park and bemoaning the local council’s latest ruling, whilst contemplating her arthritic hip. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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War Prayer by Mark Twain adapted by Gerald P. Murphy |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 9. Chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten minute play. No specific set requirements and only one prop (a rope). |
Synopsis | Mark Twain was no pacifist, but here he brings an angel to explain to a congregation the difference between a just war and Jingoism. (Human frailty prevails.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Warm Crayons by Ashley Harris |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama on a simple set. |
Synopsis | Mr Hughes doesn't have the greatest patience as a schoolteacher but he does love his job. A routine student prank seems to be the trigger for a vile and immoral act. Is Hughes innocent or has he been hiding his evil ways all along? Warm Crayons questions the way the world looks upon physical and sexual abuse. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Warm, Hot, Getting Hotter by Lou Treleaven Winner, Wimbledon Playfest 2014 |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy, with a strange restaurant setting. |
Synopsis | It gradually becomes clear that the oddly decorated restaurant, the strange waiter, and the very hot food are not what they seem... Each of these diners has a past that they may really be regretting. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Was Blind But Now I See by Howard Lipson |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 7 minutes. [Estimated!] |
Music | None. |
Style | Short skit, telling and examining a well-known fable from a Christian perspective. No set requirements. |
Synopsis | Five blind people encounter a curious object and work together to find out what it is, while a sighted pair react differently. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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