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| Nor Hell A Fury by Elizabeth Poynter |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, single conservatory set. |
| Synopsis | Claire is infatuated with her friend and handyman Scott, but is unable to tell whether he feels the same way about her. Her obsession leads her down a dark path. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Normal For by Tony Domaille
Winner UK Community Drama Festivals Federation 'Geoffrey Whitworth Trophy' for the Best Original script of 2022 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama in a single set. A great festival piece with potential for use in child protection workshops as a discussion starter. |
| Synopsis | Teacher Emma worries about a nine-year-old boy in her class. But when she raises concerns, they are dismissed as 'Normal for here'. As she struggles against a culture of indifference, Emma finds herself facing a real dilemma.
Articulates the dilemmas of teachers suspecting that pupils are abuse victims. The classroom setting and focus on the teacher allows it to honestly and openly explore these issues while not actually having to use any child actors or depict any abuse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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The Normandy Conquests by David Weir
Constance Cox Award for best play (Sussex Playwrights) 2015 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A wistful full length comedy - some strong language. |
| Synopsis | As a group of family and friends spend a weekend away in Normandy, past tensions come to the fore. Susan looks forward to seeing her lifelong unrequited crush Colin for the first time in 20 years, while trying not to murder her tedious husband Jeff. With her sister and niece, and Colin's libidinous brother and disapproving mum also in the Normandy farmhouse, the scene is set for tale of life, love and the ones that got away. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Not 2B by George Freek |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Excellent characters. Amanda especially would be a joy of a part - a scatty woman who's raised two wildly ambitious children, kind and soft except when she gets onto the subject of her ex-husband when she becomes positively possessed. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Two-act play (but on the shorter side of that form). Single domestic set. Contains mild swearing. |
| Synopsis | Amanda worries that her children, Tom and Laura, are too ambitious. Tom sets Laura up with a guy from his company, but the evening takes a few twists that no one was expecting. Luckily it all goes over Amanda's head, and she tells herself she's got a happy ending after all. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Not In My Lunch Hour by Amir Rahimzadeh |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | A one act adult comedy. (First published in August 2013, Revised edition in March 2014.) |
| Synopsis | Lewis hopes for a peaceful time to enjoy his sandwiches in the park, but his idyll is irritatingly cut short by the intrusion of the peculiar Otto followed by the mysterious Jo. This is a lunch break Lewis is not going to forget. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Not Long Before Waking by Matthew Taylor |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Theatrical surrealism (the actors are on stage, but their dialogue comes through a soundtrack). Short play, single set, a few props. |
| Synopsis | Two characters share a discussion inside a strange dream. The devil observes! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Not So Great Escape by TLC Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch from the 'Skitskrieg' Second-World-War revue show by TLC Creative. (This sketch written by Damian Trasler.) |
| Synopsis | Three POWs discuss possible escape plans in a World War 2 camp. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Nothing Exciting In Little Noddingsbury by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All the characters are written male, but could easily be changed (although female bank robbers are an under-represented minority). |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Very short comedy play (or a long sketch) with a single set - the minimum necessary to indicate a bank. |
| Synopsis | Two bank robbers hold up a small town bank - only to find that the clerk and manager are a little more relaxed than they were expecting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Nothing Extravagant by Gerald P. Murphy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch. |
| Synopsis | A blind date where these two have figured it all out! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Nothing Is What It Seems by Martyn Chapman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A dark, dramatic monologue, and a challenge for an actor. |
| Synopsis | He looks like a rough sleeper, but the man on the bench warns the audience not to make assumptions. He could be a police officer, working undercover. Or his story could be much darker and more tragic. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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