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| Once Upon a Time NOT in Bollywood by Subrata Das |
| Roles | Minimum Male roles = 19. Minimum Female roles = 15. Minimum total with doubling = 34. Minimum total without doubling = 40. Chorus. Many characters may be doubled. |
| Run Time | Around 86 minutes. [Estimated!] Dependent on the songs used. |
| Music | Suggestions for 8 songs are provided with the Producer's copy of this script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play with music and dance, in five acts - although two act length, and with many settings. |
| Synopsis | This play portrays the kinds of struggles moderates face within the left and right-wing political parties in India. Malati and Praveen, have had opposing political views since their days growing up together in a village, but enjoyed a romantic relationship. Despite his love for politics, Praveen still dreams about being a Bollywood actor... and the play explores the voices of rich, middle class, and poor people, obstacles within families for women in politics, and extreme political rhetoric. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Once Upon A Witch by Alan Robinson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 15. No chorus. Characters include a dragon and a hand puppet! |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | The Producer's Copy of the script includes suggestions for six songs, with new lyrics to a couple. (Others could be substituted at the discretion of the production team.) Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Full-length British pantomime - a fantasia on fairytale themes! |
| Synopsis | Once upon a time, Fairyland is in a financial pickle and has had to downsize its workforce, meaning there can be only one prince, princess, wolf and witch to tell every story. To make matters worse, the Fairyland storybook is missing and all the tales are getting tangled together. In the midst of this muddle, the wicked witch spies an opportunity to magic up a bad ending, but she can't do it alone... Could her spellbinding new apprentice, Aurora, hold the key to her destiny or does the girl have her own wish to fulfill? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
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| Click here to read the script or Click here for more details. |
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| Oncology by Stephen Scheurer-Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. Chorus. The chorus is a wating-room full of patients. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy drama fuelled by family (and medical) tensions. |
| Synopsis | Set in a clinic where Edna and her daughter wait for the results of a recent test, surrounded by a madcap collection of patients and relatives who have an underlying serious story to tell. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Breakdown Too Many by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A sketch, with a single simple set. |
| Synopsis | Hannah, and her tipsy friend Mary, have broken down on their journey home. Unfortunately for the man on the other end of the phone line, Mary is determined to help her friend make the call to the breakdown service. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Foot Under by Jordan Handford |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Reverend Goodwinks is presumed male but could be female. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy with a single living-room set. |
| Synopsis | Michael's already tense relationship with his in-laws is put under further strain at a funeral with a surprising finale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A One Hearse Town by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Short rhyming monologue. |
| Synopsis | An Irish village is bereft of a spiritual centre since the Priest departed with a lady named Bridget. Luckily, the Pub now stands in the church's stead, offering solace, groceries, community and, of course, whiskey. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One Hell of an Interview by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Sketch, single simple set (office) |
| Synopsis | A recruitment drive for a commercial television channel receives interest from an unlikely and unwelcome source. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Hundred and Eighty! by Jonathan Edgington
Runner up in The Maskers Theatre's 2011 Humble Hamlet play writing competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute comedy, playing on Shakespearean themes. Contains swearing and adult themes (and a darts player). |
| Synopsis | Toby Hamlet is coming home, but his mother doesn't know why. She does know he's broken a promise he made to his dying father by becoming a pro darts player instead of a lawyer. What could he possibly want to speak to his mother about that he can't mention on the phone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Mistake by Stephen Scheurer-Smith
Winner of Cambridge Drama Festival 2008 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama on a single hotel bar set. Can be performed alongside, and share a set with, its sister play Psychic Babble. |
| Synopsis | An alcoholic has-been pop star is on the road with her daughter reluctantly in tow. They're the last ones in the hotel bar, but the bartender, a former City high-flyer, has a surprising past of his own. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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One Solitary Line by Neil Walden
Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (dressing room) setting. |
| Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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