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| There's Always Time For Dancing by Helen Boyce |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | One song, to be played over the closing dialogue, is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama on a single (living room) set. |
| Synopsis | After a lovely church service, Michael and his wife relax at home. He does his best to make her laugh, encouraging her to dance with him, though she’s tired. But a persistent noise distracts her, and leads her to a sad discovery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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There's More to Love than Dog Meets Bitch by Rupert Haigh
Shortlisted in the pint sized plays competition, 2014. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A satirical comedy sketch with a single (bar) setting. |
| Synopsis | Two laddish dogs, Rex and Fido, are enjoying a pint or two in their local, when their boy's night out is interrupted by the glamorous and mysterious Paula. Her feminine guiles have a surprising effect on the lads' relationship - with unexpected results. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's No Place Like Home by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and an off-stage female voice (which could be recorded, but, in our view, would be better performed live). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single domestic setting. |
| Synopsis | When elderly Howard claims his dead wife Nancy has been talking to him, his daughter and her partner think he is suffering dementia and plan to move him into a home. But there's a surprise in store when he demonstrates how he contacts Nancy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's No Place Like Rome by Mark Jack |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 23. Minimum total without doubling = 40. Chorus. Characters include everything from emperors to plebeians (and a camel). |
| Run Time | Around 120 minutes. [Estimated!] Experiential run time (first production) 1 hours 40 minutes. |
| Music | The Producer's copy of the script includes suggestions for 12 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Full-length British pantomime, set in Rome (and occasionally in Egypt). |
| Synopsis | The Emperor Nauseous is poisoned by his wicked son Bilious, but blame falls on Alexander, the visiting son of Cleopatra. Can the recovered Nauseous and his friends prevent Bilious conquering Egypt? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
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| Click here to read the script or Click here for more details. |
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| There's One in Every Show by George Douglas Lee |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. One of the characters is a young boy, the rest are adults (mainly over-the-top thespians). |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy, set around a struggling (American) theatre company. Contains very minor swearing. |
| Synopsis | For years Sheldon has held together his troupe of actors with the promise of a show, but now his accountant has signed up a producer, who's found a backer and they're going to have to perform at last. But the script is bad - worse than the actors themselves - and they have the Sponsor's idiot son involved too... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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There's Something about Bernard by Richard James
Performance by Dunvegan Players won the Philip Rose Bowl, Scottish One Act Play Festival, Skye Division, 2010 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, single (simple, domestic) set. Contains mild swearing. |
| Synopsis | Bernard's wife, best friend and daughter are gathered to surprise him with a party on his birthday, but it's his ex-wife who walks in first. Some hard truths are exchanged, and in the end, it's Bernard who surprises them all. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Thesaurians by Graham Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 1 minutes. [Estimated!] |
| Music | None. |
| Style | A very short comedy sketch of words set in an office. |
| Synopsis | An interviewer attempts to conduct an interview with a candidate who appears to have swallowed a Thesaurus. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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These Are The Days by Shari Gledhill
TOPs (The Oldland Players) won 1st place at the Bristol One Act Drama Festival 2024 for their production of 'These Are The Days'. The group also won awards for Best Actress, Best Director, Best Lighting and the Audience Award. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dramatic duologue with no set required. |
| Synopsis | Married couple Matt and Vicki re-live their relationship from its unlikely beginnings to its poignantly tragic end. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Thesps by Nigel Holloway |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 15. Chorus. Nucleus of 10 principals plus company of singers. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | Piano and vocal scores for the 13 Gilbert and Sullivan songs used in the script are supplied with the Producer's Copy. |
| Style | Full-length comedy play, using the music of Gilbert and Sullivan. The settings are a drama group's rehearsal room and the stage. |
| Synopsis | The thespians of The Off The Wall Theatre Company are trying to stage Gilbert and Sullivan's HMS Pinnafore. The chairman has hired-in Caroline, a professional director, to help them. Unfortunately, Barney, one of the company, has had a steamy affair with the director in the past. Barney wants to escape, whilst Caroline wants to resume where they left off. Of course, the rest of the company step in to help Barney out of his hole - unfortunately, their idea of help seems to involve even more digging! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Midi files of songs from the show
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| Click here to read the script or Click here for more details. |
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| They Called Her Tante Anna by Elisabeth Marrion |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act historical drama suitable for educational use. Three simple settings. |
| Synopsis | From December 1938 until the outbreak of WWII, ten thousand Jewish children were evacuated from Nazi Germany to England on the Kindertransport. This is the story of some of those children. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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