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Yards Apart by Mary Stone
Won 'Best Original Script' award at the Totton Festival of Drama 2022 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy with a good mix of physical and verbal humour, and two strongly written characters who develop well through their interactions with one another. Single garden set. |
| Synopsis | Retired Mark spends his days pottering around his garden, avoiding the neighbours, and scaring off the local cats with his BB gun. When his new neighbour Viki literally crashes into his world, he's eager to send her packing and return to his quiet, solitary life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Yes, but how was the play, Mrs Lincoln? by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Philosophical argument, set in a scrap yard! Single simple set. |
| Synopsis | Does happiness come from going out and getting experiences or from appreciating what you have? (Or, come to that, from finding a distributor for a 1985 Ford Fiesta?) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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You And Me Makes Three by Mark Seaman
Performance by The Sodbury Players Drama Group picked-up the adjudicator's award at the Avon Festival and the Best Actor award at The Cheltenham Festival, 2010 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally-charged one-act play. Single domestic set. |
| Synopsis | Paul and Kathy have just returned from Tony's funeral. Though remaining outwardly happy with one another, Kathy remembers the brief affair she had with Tony that might have made him the father of her dead child, and Paul remembers cutting Tony out of their lives, and regrets it. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Are What You Eat by Hugh Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | There is a suggestion for an extract from an out-of-copyright Music Hall song. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A funny, efficient, and easy to stage sketch. |
| Synopsis | A doctor has problems with a patient who has not responded to organic hummus and with another who has overdosed on Tuscan olives and sun-dried tomatoes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Can't Take It With You by Cheryl Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. The solicitor is named Sam and could be Samuel or Samantha. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a blend of pathos and mirth. Single domestic set (from which most of the furniture and effects have been removed!) Contains mild swearing. |
| Synopsis | Expecting a windfall bequest after their 'beloved' Uncle Fred's death, avaricious sisters Carol and Pauline descend on his house to claim the spoils. Their hopes are dashed when they discover that someone has beaten them to it and the house is empty. The will reading increases their frustration as their bequests fail to meet expectations. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Have Reached Your Destination by Tony Best |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | The producer's copy of the script contains suggestions for seven intermission pieces. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act comedy (could be used as a short two-act) packed with unexpected delights. |
| Synopsis | Two women work at a company that provides a sat-nav service, with the unexpected revelation that they are the voices of the sat navs. A complicated day for the pair involves French and Spanish translations, unexpected detours and a violent confrontation. Their customers include a doddery old lady who can't find the end of the street, a man who 'doesn't need the Satnav' and his daughter who has recently undergone an unfortunate experience on social media. There's also a young man who insists on using the latest 'exaggerated accents' app, all of which Tracey has to supply, and a customer who needs to be spoken to in French (only Tracey doesn't know any). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Just Never Know by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The two police officers could be male or female |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in a single (living-room) set. Structurally in three acts - but in run-time on the borderline between a one act play and full length. |
| Synopsis | When Mo decides to surprise her husband with an anniversary party, little does she know that she will be the one left speechless and horrified. But the story doesn’t end there, because no-one could have predicted what happened next... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You See It All On The Radio! by Jilly McNeil |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. The age range of the cast has not been specified deliberately to allow for greater flexibility. Likewise, the parts of Bev and Tess can quite feasibly become Ben and Terry. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a radio studio setting. |
| Synopsis | A small radio station is ambitiously transmitting a live performance of a period drama. The presentation crumbles as the actors struggle with their own relationships, To make matters worse, the sound effects go awry and transmission difficulties arise. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Should Have Told Me by Iris Winston |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Could be played by a mixed-age group or as a youth theatre piece. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A fifteen-minute drama for young audiences. (An issue-driven piece which might be used as a lead-in to classroom discusisons.) |
| Synopsis | Teri is excited at the prospect of being a bridesmaid at her aunt's wedding. Joy turns to misery when she finds out that she is adopted and learns the truth about her relationship to the bride. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Will Go No More A-Haunting by Ray Lawrence |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 4. No chorus. Whilst the main characters are written 1M, 1F, the author would be happy if St. Gladys (the patron saint of bureaucrats) underwent gender reassignment. The two guards are non-speaking and only make a brief appearance. They are optional! |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, of puns and strange ideas about the afterlife. Single office set. Contains mild swearing. |
| Synopsis | Sir Thomas Pickington has been happily haunting the same spot for 500 years, but now he's up against the new HSE - the Haunting Safety Executive, and they have some different ideas about how he should be doing his haunting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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