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| Emporium [One-Act Version] by Bob Tucker |
| Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set - the interior of a small and very odd store. (An expanded version of Bob Tucker's original ten minute Emporium.) |
| Synopsis | A few minutes in the day of a very peculiar shop...excuse me, I mean Emporium. Befuddled employees and confused customers combine with disdainful management to provide a unique shopping experience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emporium 2 by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute comedy play, single (simple) set, simple props. |
| Synopsis | The Emporium has been broken into overnight (after the staff closed the shop at 5:37 the previous evening) and P.C. Bromley is sent to investigate. Ms. Dressoir, the shop owner, has some specific ideas about how the investigation should continue and how P.C. Bromley should stay away from her daughter Michelle. (Set in the same establishment as 'Emporium', so could be played stand-alone or as a sequel.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emporium 3 by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play. Single (store) set. Part of a series set in the same bizarre venue. (A couple of remarks refer back to previous events, but can easily be changed to allow this to run as a stand-alone play.) |
| Synopsis | Candles and romance are waxing strong in Mme Dressoir's strange little shop, but customer dissatisfaction looms large, hindering growth and leading to broken promises and broken hearts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emporium 4 by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play. Single (store) set. Part of a series set in the same bizarre venue (but functions as a stand-alone play.) |
| Synopsis | A tangled love story in a very odd retail outlet. Shop assistant Michelle tries to continue her romance with the local policeman, whilst Ms Dressoir, the shop manager tries to prevent it and also to getting free publicity from the local paper. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emporium 5 by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. Chorus. There is a non-speaking 'crowd' of indeterminate number who enter and exit near the end of the piece. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play. Single (store) set. Part of a series set in the same bizarre venue (but functions as a stand-alone play.) |
| Synopsis | The worms in the shop finally turn, with Cynthia thrown out and Michelle getting hitched to her sweetheart, Rex. Madam Dressoir, the dreaded emporium manager, finally gets what's coming to her... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End of the Ban by Anne Graham |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one-hour comedy set in 1980s England. |
| Synopsis | It is 1987. Coal miner Les Varley and his family are typical of the many mining families of North Nottinghamshire. Les and his wife Rita's slow drift apart is accelerated by conflicts over their daughter's sex life and their son's criminal activities. Then comes the news that Les is trapped in an underground roof fall. His family, the neighbours and the whole village can only wait. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End Of The Pier by Karen Doling |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act play, single set - a fortune teller's tent at the end of a pier! |
| Synopsis | A gypsy called Lea (as all soothsayers are) reads people's fortunes on the end of the pier - at least, that's what the sign says, but she usually tells people the same old thing. Today, things aren't going to go as she planned, but the results will be strangely familiar... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The End of the Pier by Richard James |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three generations - target ages, 20, early 40s and early 60s. (Whilst this is intended to be played 'to age', it might be within the compass of the older echelons of a youth theatre group.) |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single set (enough to suggest the location). |
| Synopsis | An exploration of the relationships and struggles of three generations of women. Cynthia has experienced a betrayal that changes her life dramatically and her daughter Mandy is determined to stay strong and pull her family back together. Billie, Mandy's daughter, is preparing to leave for university but has a secret to reveal before she goes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End of the Road Pub - a play about Hell by David Webb |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are written as Australians, though there is no reason that they couldn't come from other places. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play with a Christian perspective on the riskier areas of the afterlife. (Single public bar setting, simple props.) |
| Synopsis | Marty and Jim stagger into a pub after a nasty car crash. They have a drink to steady their nerves but soon notice something strange about the pub. It turns out that crash was nastier than they thought and they've got their own lock-in, forever! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Endowment by Susan Scott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. As written, the two characters have a playing age of around fifty, though this could be varied somewhat. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act Drama, single domestic set. (Includes occasional swearing.) |
| Synopsis | Linda receives a visit from her ex-husband, bearing unwelcome memories and unexpected news. Have their years of separation changed them enough to right old wrongs? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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