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| Inspector Whalley's Cause for Alarm by Barry Lambert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Dr Dorris Boffin talks a strange, clipped form of English. This is deliberate. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy/drama. Single set - a police operations room with a single entrance (which need not be a practical door). |
| Synopsis | The police are concerned when someone burgles four dwellings in one night without leaving the slightest trace. They are even more baffled when the stolen items are mysteriously returned the following night. Will the irascible DI Whalley and his motley team be able to solve this intriguing case?
'Cause for Alarm' is available with two other episodes in Inspector Whalley's Casebook. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Interrogation by Louise Wade |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act political drama set across three simple interrogation rooms. |
| Synopsis | Three different people are being interrogated at different points in time by different interrogators, all because of crimes related to their political beliefs. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Interval by Frank Gibbons |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, requiring only a couple of seats (and a couple of actors to fill them). |
| Synopsis | The interval of a theatrical show provides the opportunity for a gossip (and a string of theatre jokes). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Interview Protocol by Pat Edwards |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with two simple, waiting room and office, settings. |
| Synopsis | A young man nervously waits to be called into the interview room. The odd atmosphere between the waiting candidates unnerves him further, and his experience during the interview is something he has never encountered before. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Interview by Bob Tucker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy play. An unusually updated, piece of Dickens. |
| Synopsis | An excerpt from David Copperfield - except that a lot has changed since the nineteenth century. David takes his good friend Traddles to discuss with the Misses Spenlow the matter of his engagement to their niece, Dora. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Invisible Fingerprints by Howard Lipson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Both the characters are written male, but could probably be played female with a few minor tweaks. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play with a Christian theme. Minimal staging requirements. |
| Synopsis | Ben has spent four years battling depression and addiction, but thanks to his new-found faith he's back at his screenwriting job with a new script. Sadly for Ben, Stan the Producer isn't blown away by the script. He talks Ben into trying more worldly material, but has sinister reasons... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Invisible Man by Rob Johnston |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. 8 characters, designed to be split between 3 actors. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length gothic thriller, based on the novel by H. G. Wells, on a split stage. |
| Synopsis | When a new guest arrives at the Coach and Horses in swathed in bandages, he is assumed to be a shy accident victim. But Griffin is in fact a scientist who has turned himself invisible, and not yet found the antidote. His condition, and the refusal of others to help, is destined to drive Griffin to violent madness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Invitation by Juliet Devon |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. In theory there are four sets (three individual locations and a composite), but it's actually stageable in a single set with changes of lighting and props. |
| Synopsis | Eve is working hard on her wedding plans, which seem to involve doing everything her mother wants, regardless of how Eve feels about it. Eventually Eve's creativity takes over and the plans change in rather surprising ways. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Irregular Satellite by Meg Schenk |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Female character also sings. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | Sheet music for one of the two songs is provided with the Producer's copy of this script. (The other is a suggestion of a popular song.) |
| Style | A one act love story, with two songs, and a single simple set. |
| Synopsis | In an imaginative setting, good friends Fran and Scott gradually discover their love for each other. Written in American English. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| Click here to read the script or Click here for more details. |
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| Is That You, Clint? by Geoff Parker |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy monologue with a simple set. |
| Synopsis | Brenda muses about the obscene phone calls her social worker, Shardonnay - with an S - has been receiving. And then about her own calls, after a date-disaster and a no-show, and would it be Clint? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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