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| A Second Chance by Jim Pinnock |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. One voice is an offstage announcer. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller - single set. |
| Synopsis | Customers and staff are put through psychological torment as a man with a bomb holds them hostage, but all but one of them benefit from the experience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'A Second Chance' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Click here to read the script or Click here for more details. |
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| The Second Floor by Robert Scott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a simple setting. |
| Synopsis | Chloe is a powerful businesswoman with a sharp tongue - she’s going to set the board straight before tearing through the rest of her appointments. But she ends up stuck in the elevator with her ex-husband, who has some important things to tell her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Second Friday Of The Month by Geoff Bamber |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A farce in two short acts (which puts it on the boundary between a one-act and full-length play). Single (small flat *) set. Contains mild swearing and adult themes.
* I mean it's set in a small flat, not that the set is small and flat. |
| Synopsis | Dan has a somewhat clinical sexual relationship with a psychologist who lives in the flat above him. They meet every second friday of the month, but their routine is broken by the arrival of some of Dan's diverse acquaintances.
A clever, funny play, exploring some rather unconventional relationships. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Second Hand by Lucy Cooper |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. The character is written as a male in his forties but could be played at a different age and, conceivably, could switch gender. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short telephone monologue, delivering dead-pan comedy. No set. Simple props. |
| Synopsis | A salesman tries to buy a second hand car and ends up considering taking a second look at his chosen career. Originally published in 2009, revised in 2017. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Second Honeymoon by Alan Barkley
Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play, set in 1952. |
| Synopsis | Claire is looking for a way out of her marriage, but instead runs into someone who knows all about trying to cope with a demanding life - Marilyn Monroe. They trade lives for an afternoon and learn a little about life from each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Second Thoughts by Colin Calvert |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
| Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Secret Life by Horry Parsons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, with a single domestic set. |
| Synopsis | Trying to organise a secret This is Your Life for her husband's retirement party, Freda and her two daughters have to battle the plumbing, the nosey neighbour and a deaf vicar. Can they keep the secret without losing the plot? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Secret of Buccaneer Bay by Rajapillai Pillai |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | The producer's script suggests an extract from a well-known song to be sung at one point in the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy, to be performed by adults to children, with various simple settings. |
| Synopsis | On the eve of a royal wedding, the groom is taken by pirates. It is up to Princess Odelia and her loyal servants, with help from the audience, to rescue him. But there is more to this kidnapping than first meets the eye, as an ancient legend is about to be fulfilled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Secret of Giving Up Smoking by Damian Trasler |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The script is written with the characters as two women and one man, however other mixes are possible. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. Contemporary realism. Simple set, simple props. |
| Synopsis | Barry and Nancy attend Celia's 'Give up smoking' seminar, but will it be the painless solution they're both looking for, or just another expensive con? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Secret Testament of John Shakespeare by Martin Lytton |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Historical drama (on the boundary between a one-act and a full-length play). Single set. Lots of historical detail amidst a passionate story. |
| Synopsis | William Shakespeare's wife drops in on her in-laws to mind her Father-in-Law while his wife visits a friend. The Informer James Langrake, who was responsible for the fall in Shakespeare senior's fortunes, calls in unannounced and nearly finds evidence to bring death to the household. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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